소파 오효원의 한시에 나타난 바다 이미지

Abstract

This paper examines the sea image that appeared in Chinese poetry by Oh Hyowon(吳孝媛:1889~?), a female writer in the early 20th century. Before analyzing it, contemporary and made an outlook on our previous era. This was an attempt to read the representation of ‘sea’ through the works of female writers, on the reflective attitude that there were previous studies related to ‘chinese poetry’ and ‘Sea’, but there was no research on ‘Sea that appeared in Women's poetry’. Searelated poems were written in 24 of Oh Hyo-won's works, and the contents were divided into ‘Broad Sea’, ‘Me Crossing the Sea’, ‘Disconnection and longing’, and ‘Sea as a metaphor’. The vastness of the sea seen directly in <Looking at the Sea(觀 海)>, and <Returning home on the same ship as the government tourism group(與 政府觀光團同舟歸國)> depicts the sea seen while returning from Japan by ship. In <Going to Tokyo to establish Myeongshin Girls' School(爲明新女學校創立立事入東 京)>, <Arriving in Gwangdo Preliminary Newspaper(抵廣島縣贈藝備新聞社)>, and <Crossing the Sea of Busan(渡釜山海)>, she was able to confirm her goals, dreams, and aspirations by crossing the sea. Disconnections and longing were expressed in <Drawing Fathers(思親)> and <Reading Emotions at a Destination(客中述懷)>. In <Writing in Response to Mirok's Mosaic Poems(和味麓毛祥澍)>, the sky was compared to the blue sea. In <Returning to Sanbang on a Summer Day(夏日歸臥山 房)>, mountains and the sea are compared. In addition, <Sighing at the World(歎世)> compared the world to the sea, and <Difficulty of farewell(送人難)> compared the depth of separation to the depth of the sea. What is noteworthy about the representation of the sea in Chinese poetry, a woman in the modern transition period, is that it expressed the 'experienced sea' as a poem. Literally expressed the real sea, not the imaginary sea. The poet turned her experience with the sea into a poem during the transition period to modern times. Thus, the images of the sea during the period are presented in the poem.