디지털 오브제: 확장하는 사료와 뮤지엄 수집 개념 및 방법론 재고
Digital Objects: A Reconsideration of the Concepts and Boundaries of Museum Collecting and Methods
0
조회
0
다운로드
1
인용
0
참고문헌
키워드
초록
뮤지엄의 소장품은 인류 역사문화의 증거물이며, 수집은 뮤지엄의 기본 기능 중 하나로, 뮤지엄은 과거 및 현재의 역사를 대변하는 오브제를 수집하여 미래 세대에게 전달할 의무가 있다. 디지털 기술 및 시스템에 기반하여 생성된 디지털 오브제는 오늘날의 사회, 문화, 과학기술의 단면을 반영하는 역사적 산물이며, 우리가 디지털 오브제를 사용하면서 남기게 되는 흔적들 또한 오늘날 문화 현상을 이해하는 데 중요한 자료가 된다. 본 논문은 동시대 수집 맥락 상에서 디지털 오브제 수집 개념과 디지털 물질성 이론적 이해를 바탕으로, 디지털 오브제를 수집하고, 기록함에 적용할 수 있는 디지털 방법론의 가능성과 쟁점을 살펴본다. 본 논문은 영미권 디지털 수집 사례 중 빅토리아 앤 알버트 뮤지엄, 런던뮤지엄, 역병이 발생한 해의 일지 프로젝트를 심층적으로 분석하며, 대중 참여 디지털 수집의 필요성을 역설한다. 또한 디지털 수집 과정에서 제기되는 개념적, 실천적, 제도적 쟁점이 뮤지엄의 디지털 전환과 관련해서 갖는 의미를 검토한다. 본 논문은 방법론적 해답을 제안하기 보다는 디지털 오브제 수집의 중요성과 디지털 전환 과제를 공론화하여 디지털 시대 뮤지엄의 발전적 전략 수립에 기여하고자 한다.
Abstract
Museum collections provide tangible evidence of human ingenuity, memories, and knowledge. The practice of collecting is one of the core functions of museums, as they have the duty to acquire and preserve significant objects from human history for future generations. Digital objects created from digital technology are historical artifacts that reflect not only contemporary science and technology, but also our society and culture. This paper starts by exploring conceptual understandings of collecting digital objects within the contexts of contemporary collecting and of digital materiality. It then examines the opportunities and challenges of applying digital methods to digital collecting in museums. It investigates three different methods developed by the Victoria & Albert Museum, the Museum of London, and the online crowdsourcing project, A Journal of the Plague Year. This paper aims to highlight the urgency of collecting digital objects that could soon be obsolete, and to discuss the conceptual, practical, and institutional issues raised by digital collecting practices and the digital transformation in museums. In doing so, this paper will contribute to the foundation of museums’ future plans in a digital age.
참고문헌 (52)
- 박경신, "미래의 소장품: 법 제도적 준비", 서울시립미술관 심포지엄 “소유에서 공유로, 유물에서 비트로” 자료집, pp.96~102 (2020), 서울시립미술관
- 양지연, "뮤지엄과 대중참여 : 크라우드소싱 기반 전시기획의 실천과 전망", 문화예술교육연구, 13(4), pp.75~97 (2018), 한국문화교육학회[DOI]
- 이보아, "초연결성의 박물관(Hyper-connected Museum): 테크놀로지 기반의 해외 박물관 서비스 혁신 사례 고찰", 박물관학보, (35), pp.89~111 (2018), 한국박물관학회[DOI]
- 천진기, "박물관 자료와 박물관 미래", 박물관학보, (28), pp.85~96 (2015), 한국박물관학회[DOI]
- Alberti, S., "Collecting Contemporary Science, Technology and Medicine", Museum Management and Curatorship, 33(5), pp.402~427 (2018)
- Blyth, T., "Exhibiting Information: Developing the “Information Age” Gallery at the Science Museum", Information & Culture, 51(1), pp.1~28 (2016)
- Bonacchi, C., "Participation in Heritage Crowdsourcing", Museum Management and Curatorship, 34(2), pp.166~182 (2019)
- Cameron, F, "Theorizing Digital Cultural Heritage" (2010), MIT Press
- Decker, J, "Crowdsourcing, Contextualising, and Curating Covid19", American Alliance of Museums (AAM) Conference (2020)
- Dekker, A, "Collecting and Conserving Net Art: Moving beyond Conventional Methods" (2018), Routledge
- Dodds, D, "Museums and Digital Culture", pp.217~229 (2019), Springer
- Ensmenger, N., "Power to the People: Toward a Social History of Computing", IEEE Annals of the History of Computing, pp.93~95 (2004)
- Foti, P, "Collecting and Exhibiting Computer-Based Technology: Expert Curation at the Museums of the Smithsonian Institution" (2019), Routledge
- Gardner, J. B, "September 11 and the Mourning After: Reflections on Collecting and Interpreting the History of Tragedy", The Public Historian, 24(3), pp.37~52 (2002)
- Geismar, H, "Museum Object Lessons for the Digital Age" (2018), UCL Press
- Gorbis, M, "The Nature of the Future: Dispatches from the Socialstructed World" (2013), Free Press
- Hess, A., "Authenticity, Alterations and Museum Objects: A Close Encounter with 2LO, the BBC’s First Radio Transmitter", Journal of Material Culture, 22(3), pp.281~298 (2017)
- Knell, S, "Museums and the Future of Collecting", pp.1~46 (2004), Ashgate
- Manovich, L, "Software Takes Command: Extending the Language of New Media" (2013), Bloomsbury
- Marty, P., "An Introduction to Digital Convergence: Libraries, Archives, and Museums in the Information Age", Museum Management and Curatorship, 24(4), pp.295~298 (2009)
- Meyyappan, N., "A Review of the Status of 20 Digital Libraries", Journal of Information Science, 25(5), pp.337~355 (2000)
- Owens, T, "The Theory and Craft of Digital Preservation" (2018), Johns Hopkins University Press
- Park, J, "Museums as Part of the Network of Digital Culture: A Comparative Study Between the Republic of Korea and the UK", 박사, Museum Studies, Institute of Archaeology, pp.2018
- Parry, R., "Digital Heritage and the Rise of Theory in Museum Computing", Museum Management and Curatorship, 20(4), pp.333~348 (2005)
- Parry, R., "The End of the Beginning: Normativity in the Postdigital Museum", Museum Worlds:Advances in Research, 1, pp.24~39 (2013)
- Pentland, B, "Materiality and Organizing: Social Interaction in a Technological World", pp.287~295 (2012), Oxford University Press
- Rhys, O, "Contemporary Collecting: Theory and Practice" (2014), MuseumsEtc
- Ridge, M, "Crowdsourcing Our Cultural Heritage" (2014), Ashgate
- Rinehart, R, "Re-collection: Art, New Media and Social Memory" (2014), MIT Press
- Wenger, E, "Communities of Practice: Learning, Meaning, and Identity" (1998), Cambridge University Press
- "A Journal of the Plague Year"[URL]
- "How We Collected WeChat" (2017)[URL]
- "The Digital Transformation Agenda and GLAMs" (2020)[URL]
- Drucker, J, "Performative Materiality and Theoretical Approaches to Interface", Digital Humanities Quarterly, 7(1) (2013)
- "Museum Definition"[URL]
- "ICOM Announces the Alternative Museum Definition That Will be Subject to a Vote" (2019)[URL]
- "Archive as Pedagogy: Oral History and a Journal of the Plague Year" (2020)[URL]
- "Contemporary Collecting: An Ethical Toolkit for Museum Practitioners" (2020)[URL]
- "Contemporary Collecting Toolkit" (2019)[URL]
- "Collections Development Policy" (2018)[URL]
- "Museum of London Acquires ‘viral’ Tweets for Collecting COVID" (2021)[URL]
- "New York Responds: The First Six Months"[URL]
- "The Materiality of the Immaterial: Collecting Digital Objects at the Victoria and Albert Museum" (2019)[URL]
- "Development, Supply, Deployment, Demand:Balancing the Museum Digital Skills Ecosystem" (2018)[URL]
- "Rhizome"[URL]
- Ride, P, "Creating #Citizencurators: Putting Twitter Into Museum Showcases", Proceedings of the 19th International Symposium of Electronic Art (2013)
- "Collecting Covid-19"[URL]
- "A Journal of the Plague Year: Rapid-Response Archiving Meets the Pandemic" (2021)[URL]
- "About the ‘All Will Be Well: Children's Rainbows from Lockdown’ display"[URL]
- "Collections Development Policy" (2019)[URL]
- "The Rise and Fall of Flappy Bird and the Collecting of the V&A’s First App" (2014)[URL]
- "How Can Museums Preserve Our Digital Heritage?" (2012)[URL]