고려 현종~정종대 왕실의 眞影 중심 조상 숭배 의례의 확립과 그 의미

Abstract

The purpose of this study is to find out the meaning of portraits in the royal family of the Goryeo Dynasty and the meaning of ancestor worship ritual that had been established during the period from Hyeonjong to Jeongjong. To designate the progenitor’s portrait as an object of worship, to make ritual procedures and to regularize rituals can be interpreted as justifying the genealogy from it, internalizing and structuring the power relation of reality. It is said that Bongeunsa Temple was founded during the reign of King Gwangjong. Hyosagwan, Jinjeon, as an original hall of King Taejo was built in Bongeunsa Temple and the statue of King Taejo was enshrined in it. In particular, its form related characteristics can be found in terms of that the statue of King Taejo is different from the portrait usually created in the form of paintings, but it contains images of the divine right of kings and Chakravartin through its shape and symbol. However, Bongeunsa Temple was not completed in the reign of King Gwangjong. This is because that there were also the kings' parades to Bongeunsa Temple in the reign of King Deokjong, which was about 80 years after King Gwangjong, and it was not until the reign of King Jeongjong that the ritual form was arranged at Yeondeunghoe and Palgwanhoe where the king paid tribute to the statue of King Taejo. The reason why Jinjeon and the statue of King Taejo were built in Bongeunsa Temple so late was that it was reached an institutional period of completion after the reign of King Gwangjong and there were several invasions by the Khitans. It is also believed that the willingness of King Hyeonjong, who was crowned in an abnormal way, for restoration of the royal authority also played a huge role. In other words, it can be considered that King Hyeonjong tried to show that he succeeded the divine right of kings of King Taejo by establishing a ritual facility for the worship of King Taejo and preparing the ritual procedure for him. However, it was completed by his sons, King Deokjong and King Jeongjong after the death of King Hyeonjong. It can be clearly said that it showed the establishment process of its role and status as the emperor of the kings with the divine right of kings through the ritual and as an actual pivot of pluralistic society.