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對話體 長時調의 類型과 그 意味

The Types of Dialogic Style Long Sijo and its Meanings

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주제분류한국어와문학

초록

The main purpose of this study is to reveal the characteristics and meaning contained within by classifying the types of dialogic style long sijo. If such discussion becomes concrete, it is expected that it can become an opportunity of clearly revealing the characteristics of long sijo. The summary of this is as follows. The classification of types through speaker could be mainly divided into the case in which a narrator exists and the case in which a narrator does not exist. First of all, 'AB' type was revealed most prominently in the case in which a narrator does not exist. Next, in the case in which a narrator exists, it can be divided into the case in which narrator actively intervened and the case in which narrator passively intervened according to the degree of intervention of the narrator as 'ACB'. As for the characteristics of types, it was found that there were much similarities in the classic novel and the form and content of dialogic style of folk song. The types of sentence pattern sought to reveal with what purpose dialogic style is attempting a dialogue. The types are classified into question type, request type, transaction type and threat type, and, in the case of trying to ask something, the question type was revealed the most in literary works and, in the case of attempting a dialogue with the purpose of requesting, the transaction type was revealed the most next to the question type. Meanwhile, there were those that possessed threat type of threatening the other party. The types according to the gender were classified into male-male, male-female, female-female and others. Through this, it sought to verify the composition of gender of the speaker of dialogic long sijo and, furthermore, to estimate the class of author of dialogic long sijo or the class that enjoy it. First, the first speaker being a figure of noble birth was prominent in the male-male type, and, in the case of male-female type, the male speaker revealed was mostly from the class of common people. Also, in the case of female-female type, the most of female speakers being from the class of common people was predominant. In the case of others, it played the role of containing the psychological state of the speaker through humans and impersonalized animals and plants. Lastly, as for the meanings of dialogic long sijo, first is that it shows openness of genre of forms, and second is that it reveals various colloquial forms, and third is that it assured popularity through various dialogues of the speaker. The types of dialogic long sijo were classified and their characteristics according to the types were examined thus far. Through this, it was found that dialogic long sijo is choosing various methods of statement by deviating from the simple method of statement of short sijo. Therefore, the discussions on the characteristics of dialogic long sijo should expand not only to the inner aspect of sijo literature but also to the correlation with adjacent genre and to the class in charge and the class that enjoy it in the latter period of Chosun.

Abstract

The main purpose of this study is to reveal the characteristics and meaning contained within by classifying the types of dialogic style long sijo. If such discussion becomes concrete, it is expected that it can become an opportunity of clearly revealing the characteristics of long sijo. The summary of this is as follows. The classification of types through speaker could be mainly divided into the case in which a narrator exists and the case in which a narrator does not exist. First of all, 'AB' type was revealed most prominently in the case in which a narrator does not exist. Next, in the case in which a narrator exists, it can be divided into the case in which narrator actively intervened and the case in which narrator passively intervened according to the degree of intervention of the narrator as 'ACB'. As for the characteristics of types, it was found that there were much similarities in the classic novel and the form and content of dialogic style of folk song. The types of sentence pattern sought to reveal with what purpose dialogic style is attempting a dialogue. The types are classified into question type, request type, transaction type and threat type, and, in the case of trying to ask something, the question type was revealed the most in literary works and, in the case of attempting a dialogue with the purpose of requesting, the transaction type was revealed the most next to the question type. Meanwhile, there were those that possessed threat type of threatening the other party. The types according to the gender were classified into male-male, male-female, female-female and others. Through this, it sought to verify the composition of gender of the speaker of dialogic long sijo and, furthermore, to estimate the class of author of dialogic long sijo or the class that enjoy it. First, the first speaker being a figure of noble birth was prominent in the male-male type, and, in the case of male-female type, the male speaker revealed was mostly from the class of common people. Also, in the case of female-female type, the most of female speakers being from the class of common people was predominant. In the case of others, it played the role of containing the psychological state of the speaker through humans and impersonalized animals and plants. Lastly, as for the meanings of dialogic long sijo, first is that it shows openness of genre of forms, and second is that it reveals various colloquial forms, and third is that it assured popularity through various dialogues of the speaker. The types of dialogic long sijo were classified and their characteristics according to the types were examined thus far. Through this, it was found that dialogic long sijo is choosing various methods of statement by deviating from the simple method of statement of short sijo. Therefore, the discussions on the characteristics of dialogic long sijo should expand not only to the inner aspect of sijo literature but also to the correlation with adjacent genre and to the class in charge and the class that enjoy it in the latter period of Chosun.

참고문헌 (22)

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