소인무도극장(素人舞蹈劇場)에 내재된 농당스(Non-Danse)적 특성에 관한 연구- 소가(小柯)와 송흔흔(宋欣欣)의 작품을 중심으로 -
A Study on Amateur Dance Theatre Based on Non-Dance - Focusing on the choreographic work of Xiao Ke and Song Xinxin -
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This study aims to investigate the non-dance characteristics in amateur dance theatre, which havebecome a new trend in Chinese contemporary dance. It further reveals the attributes of amateur dancetheatre. This paper analyzes works such as Xiao Ke’s Republic of Dance and Xiao Ke, and Song Xinxin’sThe Vision of Yoyo based on non-dance theory. It discovers that amateur dance theatre uses nonprofessionaldancers as the starting point and exhibits critical characteristics similar to non-dance. Inaddition, they transform traditional dance concepts by combining participatory arts-based methods,using the self as a means to problematize personal experiences and expand into contemporary or sociohistoricalthemes, showing the non-dance characteristics of the dancer’s substantial existence and lack ofmovements. Simultaneously, amateur dance theatre maintains the stage setting of dance theatre tosupport non-professional dancers in personal narratives, presenting a distinct stage form from non-dance.
Abstract
This study aims to investigate the non-dance characteristics in amateur dance theatre, which havebecome a new trend in Chinese contemporary dance. It further reveals the attributes of amateur dancetheatre. This paper analyzes works such as Xiao Ke’s Republic of Dance and Xiao Ke, and Song Xinxin’sThe Vision of Yoyo based on non-dance theory. It discovers that amateur dance theatre uses nonprofessionaldancers as the starting point and exhibits critical characteristics similar to non-dance. Inaddition, they transform traditional dance concepts by combining participatory arts-based methods,using the self as a means to problematize personal experiences and expand into contemporary or sociohistoricalthemes, showing the non-dance characteristics of the dancer’s substantial existence and lack ofmovements. Simultaneously, amateur dance theatre maintains the stage setting of dance theatre tosupport non-professional dancers in personal narratives, presenting a distinct stage form from non-dance.
참고문헌 (18)
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