‘무용 이후의 무용’ 읽기와 관객되기에 관한 연구
A Study on Reading Works of Post-Dance and Audience
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This study started with the observation that many discussions on art production in the field of post-dance, that is, “dance after dance,” overlooked discussions on the audience. Through literature research on the audiences of experimental choreographies and performances, the audience characteristics of contemporary arts was understood, and the importance of audience participation was confirmed. The general audience’s response to the experimental choreography was collected through non-professional review cases and lecturer interviews. In the context of contemporary choreography, which has emphasized the social and political roles of arts, this study insists that the art practices of post-dance should go beyond discussions only by limited producers and experts.
Abstract
This study started with the observation that many discussions on art production in the field of post-dance, that is, “dance after dance,” overlooked discussions on the audience. Through literature research on the audiences of experimental choreographies and performances, the audience characteristics of contemporary arts was understood, and the importance of audience participation was confirmed. The general audience’s response to the experimental choreography was collected through non-professional review cases and lecturer interviews. In the context of contemporary choreography, which has emphasized the social and political roles of arts, this study insists that the art practices of post-dance should go beyond discussions only by limited producers and experts.
참고문헌 (25)
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