알랭 바디우의 비미학적 관점에서 본 농당스 연구 -제롬 벨의 작품 「저자가 부여한 이름, Nom Donneˊ par L’Auteur」을 중심으로-
A Study of Non-danse with Alain Badiou’s Inesthetics Theory -Focused on Nom Donné par L’Auteur (Jérôme Bel, 1994)-
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The purpose of this study is to investigate the aesthetic significance of non-danse and to suggest the possibility of expanding the scope of dance. We analyze Jérôme Bel’s Nom Donné par L’Auteur based on Alain Badiou’s theory of inesthetics. In the process of analysis, this study intends to reconsider the perception of ‘what dance is’. As a result of interpreting Jérôme Bel’s work into ‘the six principles of dance’ suggested by Badiou in his essay “Dance as a Metaphor of Thought”, it is found that non-danse, a form of experimental art, provided artistic significance suitable for the new era. As such, when the ontological significance and characteristics of dance are discussed in various ways from the perspective of a new aesthetic transformation, the extension of dance art will be expanded and diversified, and its value will be rediscovered.
Abstract
The purpose of this study is to investigate the aesthetic significance of non-danse and to suggest the possibility of expanding the scope of dance. We analyze Jérôme Bel’s Nom Donné par L’Auteur based on Alain Badiou’s theory of inesthetics. In the process of analysis, this study intends to reconsider the perception of ‘what dance is’. As a result of interpreting Jérôme Bel’s work into ‘the six principles of dance’ suggested by Badiou in his essay “Dance as a Metaphor of Thought”, it is found that non-danse, a form of experimental art, provided artistic significance suitable for the new era. As such, when the ontological significance and characteristics of dance are discussed in various ways from the perspective of a new aesthetic transformation, the extension of dance art will be expanded and diversified, and its value will be rediscovered.
참고문헌 (15)
- Badiou, Alain, "비미학" (2010), 이학사
- Danto, Arthur C., "예술의 종말 이후" (2004), 미술문화
- Dickie, George, "미학입문" (1983), 서광사
- Shusterman, Richard, "삶의 미학: 예술의 종언 이후 미학적 대안" (2012), 이학사
- 易中天, "이중톈 미학강의" (2009), 김영사
- 김말복, "컨템포러리 댄스의 몸", 무용예술학연구, 34(1), pp.1~27 (2011), 한국무용예술학회[DOI]
- 김현옥, "프랑스 현대 무용(누벨 당스)의 시성과 시각성의 공헌", 대한무용학회논문집, 24, pp.58~77 (1998)
- 나일화, "바디우의 비미학과 ‘사유의 은유로서의 춤’에 관한 고찰", 무용예술학연구, 35(35), pp.83~99 (2012), 한국무용예술학회[DOI]
- 나일화, "컨템퍼러리 댄스에 나타난 신체확장과 의미 - 제롬 벨, 앙젤렝 프렐조카주, 자비에르 르 로이의 작품을 중심으로", 무용예술학연구, 57(6), pp.69~87 (2015), 한국무용예술학회[DOI]
- 박정숙, "알랭 바디우의 아방가르드 : 실재를 향한 열정의 선두 주자", 석사, 미학, pp.2011
- 심하경, "무용의 자기반영적 비판으로서 농당스(non-danse) 연구: 제롬 벨(Jeˊroˆme Bel)의 초기 작품을 중심으로", 석사, pp.2017
- 심하경, "푸코의 비판 개념으로 본 농당스- 제롬 벨의 작품을 사례", 한국예술연구, (20), pp.95~116 (2018), 한국예술연구소[DOI]
- Bauer, Una, "Jérôme Bel: An Interview", Performance Research, 13, pp.42~48 (2008)[DOI]
- "nom donné par l’auteur"[URL]
- "Jérôme Bel - interview - nom donné par l’auteur(1994)" (2005)[URL]