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195,60년대 "여원" ‘여류현상문예’와 교양 · 과학화 담론

Research on ‘YoryuHyonsangMunYe’(1956-1970) of the magazine "Yeowon" in the 1950-60s

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The writing attempts to analyze how to recompose femininity by the discourse of woman’s magazine 『Yeowon』. The magazine, which settled down as the first woman’s magazine in the 1950∼60s, exhibited significant impact on Korean middle-class women during the time, which seems evident in its being entitled ‘the confidant of ladies’. This paper will analyze the attempt to make gendered hierarchy between nations that was actualized between western culture and Korean culture, focused on ‘YoryuHyonsangMunYe’(1956∼1970), the new women writer contest of this magazine. In particular, I will scrutinize how discourses are constituted based on the concept of scientific systemizing of daily life, and ‘bildung’. I will compare ‘YoryuHyonsangMunYe’ with Kim Agnes Davis, 『I am the wife of a Korea』(published serially for ten months by the translation of Tae Jun Yang from June 1957∼March 1958. Published as a separate book by Yeowon in December 1959.). This book is an autobiographical writing of western women who married with Korean man. The discourse about this book reveal how to recompose femininity between women’s sentimentalism and the concept of scientific. Through this analysis, we can see that the competition of discourses recompose the structure of feeling which called women‘s sentimentalism into shame culture.

Abstract

The writing attempts to analyze how to recompose femininity by the discourse of woman’s magazine 『Yeowon』. The magazine, which settled down as the first woman’s magazine in the 1950∼60s, exhibited significant impact on Korean middle-class women during the time, which seems evident in its being entitled ‘the confidant of ladies’. This paper will analyze the attempt to make gendered hierarchy between nations that was actualized between western culture and Korean culture, focused on ‘YoryuHyonsangMunYe’(1956∼1970), the new women writer contest of this magazine. In particular, I will scrutinize how discourses are constituted based on the concept of scientific systemizing of daily life, and ‘bildung’. I will compare ‘YoryuHyonsangMunYe’ with Kim Agnes Davis, 『I am the wife of a Korea』(published serially for ten months by the translation of Tae Jun Yang from June 1957∼March 1958. Published as a separate book by Yeowon in December 1959.). This book is an autobiographical writing of western women who married with Korean man. The discourse about this book reveal how to recompose femininity between women’s sentimentalism and the concept of scientific. Through this analysis, we can see that the competition of discourses recompose the structure of feeling which called women‘s sentimentalism into shame culture.

참고문헌 (21)

  1. "여원", ~ (1955), 1955. 10-1970.4
  2. "여상", ~ (1962), 1962.11-1967.11
  3. 아그네스 데이비스, "나는 코리안의 아내" (1959), 여원사
  4. Agnes Davis Kim, "I Married A Korean in Ras Korea Reprint Series" (1953), The John Day Company
  5. 김복순, "페미니즘 문학과 보편성의 문제" (2005), 소명출판사
  6. 레이몬드 윌리엄즈, "문학과 이념" (1982), 문학과지성사
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  8. 리타 펠스키, "근대성과 페미니즘" (1998), 거름
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  12. 쥬디스 뉴튼, "유물론적 여성해방비평을 향하여 in 여성해방문학의 논리" (1990), 창작과 비평사
  13. 최원식, "4월 혁명과 한국문학" (2002), 창작과 비평사
  14. 하루오 시라네, "창조된 고전" (2002), 소명출판
  15. 한국여성문학학회 여원 연구모임, "「여원」 연구-여성, 교양, 매체", 국학자료원, ~ (2008)
  16. Rita Felsky, "Beyond Feminist Aesthetics" (1989), Harvard University
  17. Toril Moi, "Sex, Gender, and the Body" (2005), Oxford Univ. press
  18. 김정숙, "수기에 나타난 식민적 징후와 50년대 동일성 담론 - 『나는 코리언의 아내』와 『女苑』을 중심으로 -", 어문연구, 56, pp.391~415 (2008), 어문연구학회
  19. 박정애, "여류의 기원과 정체성", 박사, pp.2003
  20. 이선미, "1950년대 젠더 인식의 보수화 과정과 ‘왈순아지매’ —『여원』 만화의 여성 캐릭터를 중심으로", 여성문학연구, 21(21), pp.161~201 (2009), 한국여성문학학회
  21. 이선옥, "『여원』의 중심 담론과 여성들의 글쓰기 - 여류현상문예를 중심으로", 여성문학연구, 19(19), pp.337~369 (2008), 한국여성문학학회

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