오규원의 동시에 나타난 비동일성의 시적 인식 연구- 『나무 속의 자동차』를 중심으로

Abstract

This dissertation starts to ask the reasons why Oh, Kyu-Won, a poet, who have made great achievement as an intense and dispassionate modernist in the history of contemporary Korean poetry, devoted a lot of attention and composing poetry for the children's poem showing an ingenuous world of innocence of childhood. For Oh, Kyu-Won, who received a favorable evaluation for methodology of deviability of concept and poetic views of transparency throughout his poetic career of 40 years, the children's poem was not independent from his own views of poetry and thus not the subject of a simple deviation or a leisurely pastime. There were children's poem at his starting point for poetry, and even after the official start of literature career, it has been identified as ‘intermittent’ but ‘constantly’ that he has shown his attention to children's poem at the same time. Especially considering the fact that A Car in Trees, his first collection of children's poem, was published during the latter phase of his life when genuine achievement was made, his interest in children's poem is said to be on the verge of exceeding the temporary and exceptional events. However, Oh, Kyu-Won's unique view of poetry based on nonidentity which is rooted in the gap between language and objects and the general character of children's poem based on the commonality of personification has a point of conflicting with each other. Oh, Kyu-Won's unique view of poetry, which is conflicted with the general personification of children's poem must go through a process of re-considering the area of children's poem by an acute viewpoint. In other words, instead of denying children's poem which are limited to children's minds and interrupted by songs, he was emphasizing the views of children as if he was watching things differently every time like children with placing children's poem in children's mind. This view for children's poem is emphasized throughout the whole period of Oh, Kyu-Won's life for poetry. As a result, his point of view emphasizing the notion of nonidentity is reflected and projected simultaneously by the way that is not entirely dependent on the technique of general personification of children's poem. There are two main types of methods. One is a method securing new prospect of meaning that a world of in-between space absorbs personification throughout his first half of poetic life and the other is a method that a world of verb-centered relation emphasized in his latter part of poetic life is creating a new language space independently of personification. Both correspond to the method in which coincides with the creation of a poetic world of Oh, Kyu-Won's personality style. Thus, his children's poem is placed on the point where the world of general identity of children's poem and the world of nonidentity of Oh, Kyu-Won's personality are joining, and 『a car in trees』 is also said to be the result of the extension of the same concept.