1970년대 사극영화의 인물구조분석 연구 —국책영화를 중심으로—

Abstract

The korean film falls into a serious crisis in the 1970s. For strengthening of film censorship and the 4th amendment of film, studios are restructuring. To focus public attention on TV movies also are the cause of the korean film crisis. To overcome these external pressures and to construct self-identity, the korean film attempt to secure. Korean film in the 1970s can be regarded as two respects. First, because of censorship and control, this film ranks as dark shrunken. In fact, the number of films in the 1970s is relatively small compared to the 1960s. Moderated by established film-makers need reporting to the licensing conditions to the shift was much more difficult. In addition, the strengthening of censorship because the film productions has been the loss of enthusiasm. Second, the state wants to make films are evaluated as time. Film industry to foster competition has attracted various countries. Corresponding to the regime's policy stance on the film was only the massive support. Therefore, it was made a lot of anti-Communisim movies and Saemaeul movies. Who revolt against authority of the national policy makes teenager-movies and hostess movies. In both cases, the cause of the stagnation of the 1970s films looking for outside. But we look to know that there are internal factors. There is always been censorship. But the korean film will not surrender to these external problems, through internalizing and the Korean satire kept its own identity and has been developing pay.Since announcement of the Yoosin constitutional law, other genres in the way of the culture and arts direct or indirect way, has created a logical response. But the film genre seems only conformist attitude, or to escape from the fundamental cause of the problems. Through analysis of the internal structure of the 1970s film, the problems of the 1970s film could be examined.