연장의 표현적 의미
Expressive Meanings of the Prolongation
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초록
본 연구는 쉔커식 분석이론에 기초하여 체험적으로 표현되는 연장(prolongation)의 분석이 연주에 어떤 방식으로 반영되어 창의적인 작품 해석을 이끌어내는지 살펴 분석과 연주와의 상호의존적 관계를 탐구하는 데에 그 목적이 있다. 이를 위해 쉔커의 연장이 갖는 은유적인 특성을 문헌연구를 통해 탐구하고 연장의 메타포가 라슨(Steve Larson)이 주장하는 ‘음악적 힘’(musical forces)을 통해 인간 경험에 기초하여 묘사되는 분석의 사례를 제시한다. 사례로 제시한 모차르트, 피아노 소나타 K. 545, 제2악장과 베토벤, 피아노 소나타 Op. 26, 제1악장의 첫 악구들에 나타나는 연장의 양상이 선택된 몇몇 피아니스트들의 기념비적 연주에서 어떠한 방식으로 구현되고 표출되는지 살펴보았다. 종지의 판단에 따른 미세한 리타르단도/아템포 처리, 모티브의 인지에 따른 미묘한 강세의 조절 외에도 근본선율의 인지에 따른 구성음에 대한 강세 조절과 강하고 깊은 터치를 통한 음역이동의 강조, 새 화음 영역으로 진입할 때 표현하는 미세한 템포 처리 등은 음악에 대한 ‘정통한 통찰력’(informed intuition)의 결과로 생각할 수 있다. 본 연구는 탐구 대상으로 삼은 학구적 연주가 직관에 의한 것인지 철저한 분석에 의한 것인지에 대한 오랜 논쟁 대신 분석과 연주가 상호작용하여 유의미한 결과를 도출할 수 있는 가능성에 대해 숙고하였다.
Abstract
The goal of this paper is to explore the relationship between music analysis and performance by focusing on how the prolongational analysis based on the Schenkerian theory, which espouses a bodily expression, is reflected onto the performance and thus leads to a creative interpretation. For this task, I have explored various metaphoric meanings that Schenker’s prolongation poses through a literature review and provided brief analytic discourses in which such metaphors of the prolongation bring about vivid verbal descriptions based on the human’s experience by means of what Steve Larson calls musical forces; and I have looked into how the prolongational modalities as seen in first phrases excerpted from the second movement of Mozart’s piano sonata K. 545 and the first movement of Beethoven’s piano sonata Op. 26 have been embodied and expressed in selected pianists’ legendary recordings. Not only subtle alternation between ritardando and a tempo by determination of a cadence, delicate accentuation control of structural notes by recognition of either a motive or Urlinie members, and strategical emphasis on a transferred note from an inner voice by a deep and strong touch, but also a temporal manipulation near at new harmonic domains are natural outputs of a learned performer’s informed intuition. This study has pursued illuminating the interdependent relationship between analysis and performance instead of digging up a long debate of whether a diplomatic performance is achieved by intuition or thorough analysis.
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