혁명을 지속하는 텍스팅(texting)과 진정성의 기획 -조르주 페렉의 소설을 중심으로

Abstract

Georges Perec values ​​writing as a process, not as a result. Perec understands the process of writing as a process of revolution that combines and transforms past texts and leads to a new world. The texting process itself, which makes text, can be seen as a revolutionary plan in Perec's literature, including the alphabetic spelling of Lipogram, breaking syntax rules, introducing mathematical theories, meaningless verbose descriptions, false objects, and breaking the boundaries of genres. Perec's intense experiments can capture the plan of authenticity. His texting process can be seen as an aesthetic worries of sincerity that disagrees with oppressive reality and builds an independent world. Thus, ‘Les chosess → La Disparition & W ou le souvenir d'enfance → Un Cabinet d 'amateur, histoire d'un tableau’ as an instrumental relationship that strengthens authenticity, each of them ‘snobism and introspective ignorance’ → ‘empty ontology And interpretive intervention’ → I would like to consider in response to the three stages of ‘Incredible portrayal and indefinite authenticity’. First, In Les chosess, we examine the pattern of the fall of humans of post-capitalist human beings to be snobbers who are sincere for survival. Second, In La Disparition, & W ou le souvenir d'enfance, we consider that there is an inevitable gap in all perfection, and that this is the starting point of the revolution that re-thinks the world in its own way. Third, In Un Cabinet d 'amateur, histoire d'un tableau, a false object appears to neutralize the distinction between the real and the fake, and from the beginning, there is no original in the world, and the authenticity of denial that there is only reproduction is completed.