조선의 문헌 속에 그려진 米芾의 몇 가지 형상에 관한 소고

Abstract

This study investigated how Mifu's calligraphy, painting and peculiar behavior and hobbies were accepted in Korea. Mifu has been known to Korea since the Goryeo Dynasty. But It was relatively slow to accept his painting rather than to accept his calligraphy. This does not mean that his painting was not accepted. It can be seen from the picture of the early Joseon Dynasty that his painting was already accepted. However, the intellectuals did not actively mention his painting, where artistry is maximized rather than practicality. For this reason, I think that the records in the literature would be fewer. His calligraphy was also emphasized on artistry, and the evaluation was divided into various kinds in Chosun society. However, by the late Joseon Dynasty, gradually his negative perceptions about calligraphy and painting disappeared. In the meantime, people's interest in him has focused on the unique way of "書畫船" that enjoys paintings rather than calligraphy and painting. It was also focused on the act of loving rock, called “拜石”. This study reveals that he is depicted in Korean literature as a man who unique actions and likes art.