소시민 공간의 탄생과 활용 1920, 30년대 일본 소시민영화(小市民映画)를 중심으로

Abstract

The films of Japanese petit bourgeois have played a role for the people to get away from anxiety. They have secured popularity for the first time, approaching the Japanese films recognized only at a low level with familiarity towards the audience. The films of petit bourgeois kept constantly bright today to give birth with home dramas. This bright image acted as a main factor the films of petit bourgeois to be keep on going. They could also satirize irrationality of the world and contribute to advance the national consciousness. In other words, the films of petit bourgeois acted as a useful means for both the nation and people. This study aimed at considering how the course producing the film called ‘bright’ contains a bright image in the trend of times the films of petit bourgeois depict.examined the birth and use of space for petit bourgeois. The boarding house and cultural house functioning as their residence were symbolized as ‘happy’ spaces filled with those showing their position or status. And the company is the place the petit bourgeois provide their intelligence and get monthly pay as its price, but job is identified with the petit bourgeois him/herself, so their commuting attire have become the external symbol that shows ‘white collar’ and ‘salaried man.’ Therefore, they were trying hard to keep their ‘dandy’ style even though they were not well off. And, they became ‘commuting employee,’ repeating commuting by train or tram. Likewise, the external symbol that shows the social status of petit bourgeois has been including the attire and means of transport. It was acknowledgeable that the school authorized with rules and regulations was making ‘cheerful’ atmosphere with ‘agility’ and ‘wit’ from the deviation of students.