The Images of Apartment Spaces as Represented in Korean Films of the 1960s
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The concept of “image” can refer to both physical or visual images and the conscious and subconscious drives and social factors that produce them. As an assemblage of these social activities, a film reflects the social and architectural backgrounds and interests of the general public alongside the film director’s messages. This study analyzed the images of apartment spaces as represented in 10 artistically and publicly renowned 1960s Korean films. In these films, apartment spaces were transformed or newly created, depending on the director’s intention. The apartment space images were represented as: (1) positive spaces of modern and Western lifestyles that emphasized affluence, convenience, and neatness; (2) contrasting images of poor-quality, lower-income family homes; and (3) “unstable modern women’s” homes that emerged from an unpredictable post-war society and rapid modernization. By analyzing how the Korean public perceived these apartment space images, this study facilitates an understanding of life in the early days of Korean apartment housing, and how the spaces and human activities within them are represented in film.
Abstract
The concept of “image” can refer to both physical or visual images and the conscious and subconscious drives and social factors that produce them. As an assemblage of these social activities, a film reflects the social and architectural backgrounds and interests of the general public alongside the film director’s messages. This study analyzed the images of apartment spaces as represented in 10 artistically and publicly renowned 1960s Korean films. In these films, apartment spaces were transformed or newly created, depending on the director’s intention. The apartment space images were represented as: (1) positive spaces of modern and Western lifestyles that emphasized affluence, convenience, and neatness; (2) contrasting images of poor-quality, lower-income family homes; and (3) “unstable modern women’s” homes that emerged from an unpredictable post-war society and rapid modernization. By analyzing how the Korean public perceived these apartment space images, this study facilitates an understanding of life in the early days of Korean apartment housing, and how the spaces and human activities within them are represented in film.
참고문헌 (26)
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- Kim, Kee Duk, "The Barefooted Young", Keukdong Co, ~ (1964)
- Kim, Soo Yong, "Confession of an Actress", Je-il Film Co, ~ (1967)
- Lee, Hyung Pyo, "When Night Falls at Myeongdong", Segisangsa Co, ~ (1964)
- Lee, Man Hee, "Black Hair", Korea Film Co, ~ (1964)
- Lee, Man Hee, "A Day Off", Daehan Film Co, ~ (1968)
- Lee, Man Hee, "Confess of Woman", Shin-Ah Film, ~ (1969)
- Lee, Seong Gu, "The General’s Mustache", Taechang Co, ~ (1968)
- Shin, Sang Ok, "Love Affair", Shin Film, ~ (1963)
- Yu, Hyun Mok, "The Aimless Bullet", Daehan Film, ~ (1961)
- Yu, Hyun Mok, "The Guests of the Last Train", Korea Film Co., Dongyang Film Co, ~ (1967)