해좌 정범조 한시의 尙古性과 機神에 대하여
The archaism and misterious and slight indication in Haejoa Jeong Beomjo's poetry
0
조회
0
다운로드
7
인용
0
참고문헌
키워드
초록
Jeong Beomjo was one of the most important 18th century poet in Namin literati. His early literary theory was under the archaism which was the predominant view of Namin who were influenced by Heo Mog's theory. Later, his literary theory was changed and focued on the misterious and slight indication(機神). This change had a historical meaning on the view of reflective introspection of Namin's archaistic literary theory. His poetry was based on the archaistic literary theory, which was helpful to king's exemplary rule through recording the people's life. He wrote hundreds of archaistic poems to record the people's life. He used a lot of words quated from the Book of Odes, HanWei(漢魏) poems. Also, he catched up the detail of the object which was very hard to explain and express in a delicate words. So the reader could feel the very profound taste. He was very good at expressing the misterious and slight indication in his poetry.
Abstract
Jeong Beomjo was one of the most important 18th century poet in Namin literati. His early literary theory was under the archaism which was the predominant view of Namin who were influenced by Heo Mog's theory. Later, his literary theory was changed and focued on the misterious and slight indication(機神). This change had a historical meaning on the view of reflective introspection of Namin's archaistic literary theory. His poetry was based on the archaistic literary theory, which was helpful to king's exemplary rule through recording the people's life. He wrote hundreds of archaistic poems to record the people's life. He used a lot of words quated from the Book of Odes, HanWei(漢魏) poems. Also, he catched up the detail of the object which was very hard to explain and express in a delicate words. So the reader could feel the very profound taste. He was very good at expressing the misterious and slight indication in his poetry.
참고문헌 (28)
- 姜樸, "菊圃集" (1991), 여강출판사
- 睦萬中, "餘窩集", 국립중앙도서관
- 申光洙, "石北集, in 崇文聯芳集" (1975), 한국한문학연구회
- 李德懋, "靑莊館全書"
- 李萬敷, "息山集"
- 李承延, "剛齋遺稿, in 鹽州世稿 권6" (1972), 문중소장영인본
- 李獻慶, "艮翁集"
- 丁範祖, "海左集"
- 正祖, "弘齋全書"
- 許穆, "記言"
- 黃胤錫, "頤齋亂藁 in 권38" (2001), 한국학중앙연구원
- 姜浚欽, "三溟詩話" (2006), 소명출판
- 김남형, "星湖 李瀷의 藝術論", 韓國漢文學硏究, 8 (1985)
- 김태영, "海左 丁範祖의 미학적 논리", 석사, pp.1999
- 김희경, "해좌 정범조 시에 나타난 자아의식", 태동고전연구, 17 (2000)
- 김희경, "해좌 정범조의 전기시 연구", 연민학지, 8 (2000), 연민학회
- 류정민, "海左 丁範祖의 長篇古詩 硏究", 석사, pp.2000
- 박동주, "철학적 담론을 생산하는 글쓰기, ‘原’體 散文 一考 - 丁範祖와 丁若鏞, 李德懋와 沈魯崇을 중심으로", 한국언어문화, (26), pp.295~318 (2004), 한국언어문화학회
- 박무영, "丁範祖의 여성 관련 작품과 여성인식 -공적 태도와 가부장적 환타지, 그리고 사적 보상", 漢文學報, 8(1), pp.171~200 (2003), 우리한문학회
- 박무영, "해좌 정범조의 기수론적 문학관", 한국한문학연구, 19 (1996), 한국한문학회
- 부유섭, "菊圃 姜樸의 尙古的 시세계", 한국한시연구, (18), pp.55~82 (2010), 한국한시학회
- 심경호, "18세기 중·말엽의 남인 문단", 국문학연구, 1997 (1997), 서울대학교 국문학연구회
- 안세현, "진택 신광하 한시의 연구", 석사, pp.2001
- 안세현, "조선시대 漢文學과 詩經論" (1999), 일지사
- 여운필, "吳光運의 詩認識에 관한 硏究", 고시가연구, (26), pp.271~302 (2010), 한국고시가문학회
- 여운필, "吳光運의 <感遇> 28首 硏究", 한국한시연구, (18), pp.289~322 (2010), 한국한시학회
- 여운필, "藥山 吳光運의 詩世界", 한국한시작가연구, 15 (2011), 한국한시학회
- 令木修次, "漢魏詩の硏究" (1967), 大修館書店