신발굴 가집 『歌詞』의 특성과 계보적 위상

Abstract

In this paper, I investigate the hierarchical status by examining newly discovered anthology of songs Gasa(歌詞). Gasa is a small anthology that contains 168 Gagok Saseol and 2 Gasa. 90 Gagok Saseol were recorded according to the music system from 1 to 35 pages. Below page 36, there are <Samiingok>, <Songmiingok>, and 78 Gagok Saseol, which are supplemented. The compilation period was found in the late 18th century. After this, in the early 19th century, one more supplement was made. I could not find out who the compiler is. However an ownership stamp, Taeakseodangjang(泰岳書堂藏) and Gwieunjaejang(歸隱齋藏), shows this book was housed by Lee, Gyoyoung(李敎英, 1833-1895) in Gyeongbuk Bonghwa. He was also very bright in Siga because he had anthology and Geumbo(version of Korea Univ. A). Gasa is largely divided into the first half and the second half. The first half is the abbreviation of Cheongguyeongeon of the Kim, Cheontaek edition, and the second half is the supplement. Gasa consists of Isakdaeyeop(二數大葉), Samsakdaeyeop(三數大葉), Naksijo(樂時調), Mansakdaeyeopryu(蔓數大葉類), Jangjinjusa(將進酒辭), Maengsanggunga(孟嘗君歌). These are main lists of musics in the early and mid 18th century. This anthology of songs revolves around Isakdaeyeop. 81 out of 90 Sijo situate in Isakdaeyeop, whereas only one to four were allocated to the rest. Only 25 writers are marked, which are arranged in turn, such as 'Yeolseongeoje,' 'Yeomal,' 'Bonjo,' 'Gagaek,' 'Ginyeo,' and 'Mumyeongssi'. This arrangement style has appeared since the mid 18th century. However I found that general arrangement is based on Cheongguyeongeon in 1782 edited by Kim, Cheontaek. Added 78 Gagok Saseol are arranged by lyrics and have no marks of piece of music. These are works intensively recorded in the anthology from the late 18th century to the early 19th century. Unlike the first half, Isakdaeyeop is widely known as a piece of music other than the majority. It seems to have been supplemented to complement the missing part. This shows that there are many works that sing affection or pleasure. Among them, there are 16 new works. Their content is also focused on affection and pleasure. It shows where the interest of the person who posted it was. In the above discussion, it is clear that Gasa is a summary of Cheongguyeongeon(edited by Kim, Cheontaek). Contains the interest of Gagok performances and anthology compilations from the end of the 18th century to the early 19th century, while faithfully abridging the original. Through this, we confirmed that Cheongguyeongeon(edited by Kim, Cheontaek) was still influential in the late 18th century.