세습무 은어와 예인집단 은어의 비교 연구

Abstract

The purpose of this paper is to discuss from the beginning the problems regarding the relationship between shaman jargon and gisaeng (Korean geisha) jargon that has been taken for granted in the academic circle. Seseupmu jargon has been vaguely known to communicate with namsadangpae slang and geolrippae slang to a degree. However, the overall comparison to find out how much they actually communicate has not been studied. Therefore, a comprehensive relationship with each other was difficult to measure. The current research status on the slang of shamans has been mostly speculation without validation. Therefore, in order to resolve this I tried to compare jargons with each other. The significance of this study can be summarized as follows. First, the East Coast ‘seseupmu’ jargon has been reexamined and compared with the 1970s jargon to provide a foundation. Second, the South Sea ‘seseupmu’ was examined for the first time determining the status of the Southern Coast ‘seseupmu’ jargon and to prepare the data to compare with the shaman jargons from other areas. Third, until now the relationship between gisaeng (Korean geisha) jargon and seseupmu jargon has been accepted as an established theory in the academic circle despite the fact that it has not been clear. To clarify this, seseupmu jargon and artist collective slang were compared and paved the way to escape from the schematized composition of the traditional shaman jargon and gisaeng (Korean geisha) jargon.