지두서(指頭書) 유형 무가의 비교 연구-교술 창세무가의 양상과 의미-

Abstract

There is a shaman song which emerges frequently over a community and tune of exorcism. Of them, one shaman song is used like equipped official way at the early part of each tune of exorcism, and representative song is Jidooseo of Seoul and GyungGi. There all many shaman songs over the country but each of their names is different. For example, Chodoopunyum (PyungAn NamDo), Danryunjoo (area of GyungGiDo AnhSung), Byuljachungbu (East coast), Mandeureum(GunSan areas, JeonBuk), Jidooseo (HoNam, GyungGi), Chogamje (Jejudo, Chilsungbon (South coast). Jidooseo tangible shaman song is GyoSul ChangSei shaman song including core stories and factors of genesis such as the creating of the world or civilization. Partially, Jidooseo of GyungGi area and Chogamje of Jeju area were mentioned as shaman songs of genesis by previous researchers, but they could find other shaman songs having same characteristics and meanings in other communities. Thus, this research summarizes existing general aspects of these shaman songs in tune of exorcism over the world, and it explores types of other communities of them. Jidooseo tangible shaman song is GyoSul ChangSei shaman song. This could mean ‘Returning to the origin’ to acquire various symbols of the origin as genesis, and this includes a meaning of resetting to ‘Space time of genesis’ or ‘sacred space time’. Previous research focused on epic genesis shaman songs, and this was understood as original shaman songs. However, GyuSul Genesis Shaman Songs are existing over the country, and they are transmitted to next generations, and this is more original than epic genesis shaman songs even though it reflects the development aspect of oral epics.