時調와 歌辭의 시적 관습 형성에 있어서의 杜詩諺解의 역할: 종결표현을 중심으로

Abstract

The Role of the Tushiunhae in the Formation of Poetic Convention of the Sijo and the Kasa：Focused on Ending Form攀*professor. Woosuk Unibersity攀攀Shin, Eun-kyung*The Tushiunhae, published in 1481, has literary significance in the sense that it was the first Korean translation of poetic text--Tu Fu's poems--since the invention of hangeul in 1443. This article intends to reveal the extent to which the Tushiunhae affected the formation of the poetic convention, notably that of typical ending forms of the sijo and the kasa: ‘-hanora’ and ‘-roda’.These ending forms were originally used as kugyul, a kind of vernacular expression which facilitated to understand and interpret hanmun texts. Korean translation, at its infant's stage, usually underwent a process of putting kugyuls to the original hanmun text, and followed by the process of full-scale translation into hangeul sentences. In the course of this translation process, Confucius literati who were both participants of the Korean translation project of Tu Fu's poems and main composers of the sijo and the kasa, became versed in various poetic devices of the Tushiunhae such as poetic diction, the use of images, ending forms, thereby applying them to compose their own sijo and kasa poems. The ending forms “-hanora” and “-roda,” as it were, can be said one of the literary products of the translation project of Tu Fu's poems.