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제국과 주권들: 잭 런던의 바다늑대

Empire and Sovereignties: Jack London's The Sea-Wolf

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Critics have read Jack London’s The Sea-Wolf as a novel in which sex and gender issues such as masculinity, femininity, homosexuality, heterosexuality, and androgyny are most conspicuous. Yet on closer look, the novel emerges as a text that raises political issues like empire and sovereignties most acutely. What I am doing in this essay, however, is not to castigate imperial America in which force stands as the ultimate touchstone in life and politics, but to reveal that those attempts to carve out oppositions, resistances, and alternatives to imperial sovereignty might be creating sovereignties that, while seemingly positioning themselves against empire, engender new forms of empire. Humphrey Van Weyden is an effete intellectual who, though initially attracted to Captain Wolf Larsen’s imperial sovereignty on the Ghost, ultimately refuses Larsen for his beastlike drive to turn everything into a matter of violence and death. Thus, Humphrey chooses to flee from Larsen’s Ghost, together with Maud Brewster, his newly found female partner, and reaches an island which they later call Endeavor Island. I take this to be an allegorization of an attempt to found a democratic regime modeled upon the American Republic in which a sovereign, unlike Wolf’s beastly sovereign, is bound by the duty to protect citizens. I contend, however, that such island regime of Humphrey’s indexes an ambiguous formation of empire which, though seemingly innocent and devotedly democratic, should nevertheless count as an empire. Views on empire have been predominantly obsessed with the aggressive modes of sovereignty, the violent seizure of territories, and the ruthless subjugation of natives. Empire, however, sometimes acts rather surreptitiously and non-violently to the extent to which one might mistake it for a symptom of a non-empire. London’s The Sea-Wolf showcases those anomalies and modifications of empire that escape classificatory rigidity.

Abstract

Critics have read Jack London’s The Sea-Wolf as a novel in which sex and gender issues such as masculinity, femininity, homosexuality, heterosexuality, and androgyny are most conspicuous. Yet on closer look, the novel emerges as a text that raises political issues like empire and sovereignties most acutely. What I am doing in this essay, however, is not to castigate imperial America in which force stands as the ultimate touchstone in life and politics, but to reveal that those attempts to carve out oppositions, resistances, and alternatives to imperial sovereignty might be creating sovereignties that, while seemingly positioning themselves against empire, engender new forms of empire. Humphrey Van Weyden is an effete intellectual who, though initially attracted to Captain Wolf Larsen’s imperial sovereignty on the Ghost, ultimately refuses Larsen for his beastlike drive to turn everything into a matter of violence and death. Thus, Humphrey chooses to flee from Larsen’s Ghost, together with Maud Brewster, his newly found female partner, and reaches an island which they later call Endeavor Island. I take this to be an allegorization of an attempt to found a democratic regime modeled upon the American Republic in which a sovereign, unlike Wolf’s beastly sovereign, is bound by the duty to protect citizens. I contend, however, that such island regime of Humphrey’s indexes an ambiguous formation of empire which, though seemingly innocent and devotedly democratic, should nevertheless count as an empire. Views on empire have been predominantly obsessed with the aggressive modes of sovereignty, the violent seizure of territories, and the ruthless subjugation of natives. Empire, however, sometimes acts rather surreptitiously and non-violently to the extent to which one might mistake it for a symptom of a non-empire. London’s The Sea-Wolf showcases those anomalies and modifications of empire that escape classificatory rigidity.

참고문헌 (44)

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