상주 양진당과 대산루의 비례 체계

Abstract

Sangju’s architectures exhibit the mixed cultures of south, middle, east, and west of Korea. The architectures that represent this area are Yangjindang and Daesanru. These two different architectures have something in common and appear the unique tendency of architecture in this area. This study analyze through proportion of distinctive architecture characteristic that these two architectures have. Analyze the arithmetic proportion system with ‘Kan(칸:間)’ which is Korea’s traditional architecture’s basic module, and the results of this study were as follows. First, Yangjindag is an example of Kan with clear basic module, however, Daesanru control the column space by function to intent various change. Second, Yangjindang’s floor is arranged with 9✕7 grid of square proportion basically, and 1:1(Gobang), 2;3(room, floor), and 1:2(room) proportion is appeared. On the other hand, Daesanru’s upper floor has 2:3 rhythm, lower floor has 2:2:3 asymmetry rhythm to make the column space different by function. Therefore, Yangjindang represents exactly the arithmetic proportion, however, Daesanru represents change of module and the column space by function. Third, in Yangjindang’s front elevation has distinct symmetry and centrality, also, 1:1 proportion which is sacred proportion appear several parts. In Yangjindang’s vertical section, skyline lead gradual increase, and depth of courtyard has both openness and closeness together. However, Daesanru’s front elevation is weakened with frontality by 2:2:1:2 rhythm and asymmetry formal composition. Only left side elevation represents centrality of symmetry form and has 2:2:2 rhythm by mass which is interpenetrated in the middle.