영화 〈일일시호일〉의 ‘일상성’ 연구

Abstract

The film <Everyday a Good Day>(日日是好日, 2018) details Noriko's internal changes in the long passage of twenty-four years. Tatsushi Om-ori(大森立嗣) once said he focused on the main character's life, which changes through “Things You Know Over Time”, while capturing the film's original film on the screen. These changes are expressed throu-gh tea ceremony classes with her life. Noriko, the main character in the movie, lives day by day in anxiety, searching for ‘what’ that she doesn't even know. Then one day, she learns Japanese tea ceremony (茶 道) at the recommendation of her mother. Noriko, who used to live as a marg-inalized person in reality, experiences the “manifestation of Physis (φύσις)” in an unfamiliar, tea ceremony space. The film visualizes “moment(刹那)” that seem to exist in the world through the tea ceremony spatial changes that unfold in the four seasons of spring, summer, fall and winter, It captures Noriko's inner growth in beautiful Mijangsen through nature. Noriko, who has grown little by little through the ever-lasting tea ceremony, suffers from the loss of her existence one day due to the sudden death of her father. This sense of loss is expressed as a “cherry blossom” and through his father, who suddenly disappeared like a cherry blossom, Noriko's realizes that all the temporal existence is extinguished. The movie <Everyday a Good Day> contains insights into Noriko's everyday life, thinking of life and death through tea ceremony. This study attempts to philosophically consider the meaning of ‘Everdayness’ in these <Everyday a Good Day> and analyze the cinematic images that represent ‘nature and existence’.