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『노생거사원』을 통해본 18세기 소설과 습관

Novel Habits: Northanger Abbey and Jane Austen's New Novel

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This article argues that the novel transforms itself from a potentially dangerous, habit-forming commodity into a respectable and safe cultural product during the period of its “commercial” rise by presenting proper habits and daily routines as its contents. The first section briefly discusses cultural and philosophical implications of “habit” in eighteenth-century Britain, and the following section examines the novel’s commercial success that allowed novel-reading to become a widely accepted, popular habit. The third and final section analyses Jane Austen’s Northanger Abbey to see how Austen responds to the anxieties posed by her comtemporary critics regarding the power of the novel as a habitualized commodity. Austen’s deliberate and meticulous adherence to the details of daily routines, which Sir. Walter Scott terms “the common walks of life” in his reading of Austen’s novels, can be understood as an attempt to reinforce the novel genre's appeal as a safe cultural product for domestic entertainment.

Abstract

This article argues that the novel transforms itself from a potentially dangerous, habit-forming commodity into a respectable and safe cultural product during the period of its “commercial” rise by presenting proper habits and daily routines as its contents. The first section briefly discusses cultural and philosophical implications of “habit” in eighteenth-century Britain, and the following section examines the novel’s commercial success that allowed novel-reading to become a widely accepted, popular habit. The third and final section analyses Jane Austen’s Northanger Abbey to see how Austen responds to the anxieties posed by her comtemporary critics regarding the power of the novel as a habitualized commodity. Austen’s deliberate and meticulous adherence to the details of daily routines, which Sir. Walter Scott terms “the common walks of life” in his reading of Austen’s novels, can be understood as an attempt to reinforce the novel genre's appeal as a safe cultural product for domestic entertainment.

참고문헌 (21)

  1. Armstrong, Nancy, "Desire and Domestic Fiction: a Political History of the Novel" (1987), Oxford UP
  2. Austen, Jane, "Northanger Abbey" (1998), Oxford UP
  3. Austen, Jane, "Jane Austen’s Letters" (1995), Oxford UP
  4. Butler, Marilyn, "The Jane Austen Companion" (1986), Macmillan
  5. Castle, Terry, "The New Eighteenth Century: Theory, Politics, English Literature" (1987), Methuen
  6. De Certeau, Michel, "Rendall" (1984), U of California P
  7. Hume, David, "An Enquiry Concerning Human Understanding; and Other Writings" (2007), Cambridge UP
  8. Jacob, Edward, "Eighteenth-Century British Circulating Libraries and Cultural Book History", Book History, 6, pp.1~22 (2003)
  9. Johnson, Claudia L., "Jane Austen: Women, Politics, and the Novel" (1988), U of Chicago P
  10. Lefebvre, Henri, "Rhythmanalysis: Space, Time and Everyday Life" (2004), Continuum
  11. Morris, Pam, "Conduct Literature for Women, Part IV, 1770-1830" (2006), Pickering & Chatto
  12. Morris, Pam, "Conduct Literature for Women, Part V, 1830-1900" (2006), Pickering & Chatto
  13. Paulson, Ronald, "Representations of Revolution, 1789-1820" (1983), Yale UP
  14. Reeve, Clara, "The Progress Of Romance And The History Of Charoba" (2007), Kessinger Publishing
  15. Scott, Walter, "Famous Reviews" (1914), Sir Isaac Pitman and Sons
  16. Siskin, Clifford, "The Work of Writing: Literature and Social Change in Britain, 1700-1830" (1998), Johns Hopkins UP
  17. St. Clair, William, "The Reading Nation in the Romantic Period" (2004), Cambridge UP
  18. "The Spirit of the Public Journals for 1797", R Philips
  19. Warner, William B., "Licensing Entertainment: The Elevation of Novel Reading in Britain, 1684-1750" (1998), U of California P
  20. Zlotnick, Susan, "From Involuntary Object to Voluntary Spy: Female Agency, Novels, and the Marketplace in Northanger Abbey", Studies in the Novel, 41(3), pp.277~292 (2009)

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