송 라브렌띠의 「기억」에 반영된 이주의 기억과 경계인의 위상에 관한 연구

Abstract

I have written this paper with the intent to look into the construction, the form, the esthetic value and the theme of the play Memory . Memory was presented on the stage in 1997 for the first time. Son Lavrentii’s literature, especially in drama, represents Korean Kazakhstan’s memories on the deportation in 1937 somewhat completely. Son Lavrentii succeeds in acquiring a remarkable result of capturing meaningful subject and expressing it by a sophisticated dramatic form, employing a variety of historical materials and repeating seeking for a form which supports it properly. This proves that Son Lavrentii’s literature combines literary universality and concreteness, and proper understanding on a form of drama. The essence of Son Lavrentii’s literature is that he acutely reveals Korean Kazakhstan’s ‘borderline location’ of two cultures, as ‘in-between’ the Soviet and Korea, which comes out after Korean Kazakhstan’s memories on the deportation. Especially, the play Memory deserves to appreciate in many ways. This work studies relations between the Soviets and Korean, and between authority and victim, and fluently puts a consciousness of actual problems into historical tales.