조명희의 『봄잔듸밧위에』에 나타난 자연관과 생명의식

Abstract

This paper studies the view of nature and vital consciousness in Jo-Myeong-Hui’s On a spring lawn. I seek to explore the origins of Jomyeonghui literature and recognize the process of the formation of Korean modern poetry. In the process, I try to examine the related aspects of modern literature and vital ideas. In his literature, mother, wanderer, and child exist in intimate interaction with the universe, nature, and vital. In the early poems of Jomyeonghui literature, poetic formations of mother and wanderer are prominent. These figures are the beings with a characteristic meaning in the world of the Tagore. The vital theory of Jomyeonghui literature explores the truths of the universe, man and vital. vital is stirring, and vital flows energetically from inside of man to all beings of nature. The flow of vital has evolved from the past to the present, and has the ability to enable even the profound enlightenment of art, religion, and reason. The vital idea of Jomyeonghui literature is also Buddhist and internalizing the oriental world view, but it also contains Western biology and cosmology. The study of nature and vital consciousness in the early poetry of Jomyeonghui will expand the multi - dimensional dimension of Korean modern poetry formation and the outline of Jomyeonghui 's research. The discussions will be extended, and cultural and literary hybridity that is recognized through the negotiation of Eastern and Western ideologies, and the artistic values and self-consciousness of the intellectuals of the colonies experienced in such recognition process, can be considered variously in the origins of Korean modern poetry.