재난에 대처하는 법
Facing Disasters
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The purpose of this paper is to raise questions about the various qualities in two fairy tales, “The Light Princess” and “The Paper Bag Princess” in relation to several theoretical frameworks, including Pierre Bourdieu’s Habitus and 'Field,' Louis Althusser's Interpellation, Judith Butler's Counter- interpellation/De-interpellation, and Mikhail Bakhtin's Carnivalesque. Although the texts examined in this paper are often classified as children's literature, they extend beyond the boundaries of fairy tales or children's literature and demonstrate the possibility of alternative paths that emerge in response to unexpected disasters. Moreover, they challenge the limitations imposed by societal expectations tied to status and name. By employing Pierre Bourdieu's Habitus and 'Field' theories, this paper analyzes how the princesses in these texts challenge and redefine the concept of princesshood. Habitus refers to the ingrained habits, values, and behaviors shaped by socialization, while 'Field' encompasses the social spaces and rules that influence individuals' identities and roles. Additionally, the paper draws on Louis Althusser's Interpellation to examine how the princesses respond to and internalize social expectations. Judith Butler's Counter-interpellation/ De-interpellation emphasizes the agency of the princesses in actively resisting and subverting imposed roles and expectations. Furthermore, the influence of Mikhail Bakhtin's Carnivalesque is evident in the subversive and parodic elements employed in these texts. The Carnivalesque allows for a reimagining of established narratives and conventions, challenging societal norms and power structures. In short, facing sudden disasters, two princesses constitute themselves as new dimensions of individuals who live as a princess or throw off the princess.
Abstract
The purpose of this paper is to raise questions about the various qualities in two fairy tales, “The Light Princess” and “The Paper Bag Princess” in relation to several theoretical frameworks, including Pierre Bourdieu’s Habitus and 'Field,' Louis Althusser's Interpellation, Judith Butler's Counter- interpellation/De-interpellation, and Mikhail Bakhtin's Carnivalesque. Although the texts examined in this paper are often classified as children's literature, they extend beyond the boundaries of fairy tales or children's literature and demonstrate the possibility of alternative paths that emerge in response to unexpected disasters. Moreover, they challenge the limitations imposed by societal expectations tied to status and name. By employing Pierre Bourdieu's Habitus and 'Field' theories, this paper analyzes how the princesses in these texts challenge and redefine the concept of princesshood. Habitus refers to the ingrained habits, values, and behaviors shaped by socialization, while 'Field' encompasses the social spaces and rules that influence individuals' identities and roles. Additionally, the paper draws on Louis Althusser's Interpellation to examine how the princesses respond to and internalize social expectations. Judith Butler's Counter-interpellation/ De-interpellation emphasizes the agency of the princesses in actively resisting and subverting imposed roles and expectations. Furthermore, the influence of Mikhail Bakhtin's Carnivalesque is evident in the subversive and parodic elements employed in these texts. The Carnivalesque allows for a reimagining of established narratives and conventions, challenging societal norms and power structures. In short, facing sudden disasters, two princesses constitute themselves as new dimensions of individuals who live as a princess or throw off the princess.
참고문헌 (21)
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