『校註 歌曲集』을 통해 본 20세기의 고시조 향유와 전승 양상

Abstract

The purpose of this paper is to make clues to understand the aspects of Enjoyment and Traditions of Korean Classical Poetry Sijo in 20th Century - Concerned with Annotated Collection of Songs(Kyoju Kagokjip 校註 歌曲集). This book is the compilation of Sijo by the Japanese Maema Kyosaku(前間恭作: 1868~1942) previous 1929. In 1929, Son Jin-tae(孫晉泰), a schola of Korean Study inquired some questions about Sijo to Maema to make a learned book named KagokDaejeon(歌曲大典). So Maema compiled this book before Son inquired. Kyoju Kagokjip describes the system of Sijo text by deviding the text into two sections. the works of the unidentified persons'(流傳編) and of the identified persons'(作家編). The former sorts in music, the latter in historical order. To make this system, the compiler recognized 18th century as a turning point. And the enormous footnote of this book was made from the base of Koseoncheakbo(古鮮冊譜), the magnum opus of the compiler Maema. The whole system of Kyoju Kagokjip was designed to make correct reading of Sijo text rather than good singing of Sijo music. Despite the considering musical part, the book keeps the accent on the linguistic part : word forms, morphemes, comparisons and thesauruses. This book will tell us the historical aspect and musical enjoyment of Sijo and we can reference and make comparison the aspect of Sijo text. We have to admit Maema's effort in the early years of Korean Study.