이규보의 <동국이상국집> 영색시(詠色詩)에 나타난 색채관과 특징

Abstract

Forme poétique and adonien in the Goryeo Dynasty were among the Poetics, and Lee Kyu-bo's poems have structural features that utilize their luck with splendor. The color name in the title is not used as the color name in the verse. Using rhyme as the color name "靑(blue)", the contrast effect and direction of 白(white)-靑(blue), 黑(black)-靑(blue), 黃(yellow)-靑(blue), 紅(magenta)-靑(blue), and 靑(blue)-靑(blue) were given along with the title. Translated from a plain into a spatial structure is a structural feature of Colored poetry. The common thing about poems that sing about 黃(yellow)-紅(magenta)-靑(blue), and 靑(blue) is that animals and plants are trying to find color in nature, where they grow and run. Magenta(紅) poetry revealed why he used magenta because he said it was not right to react to red. It is different from conventional reasons and emphasizes the importance of light. Lee Kyu-bo's poetry sang the five color(blue(靑), yellow(黃), magenta(紅, or orange), white(白) and black(黑)) in five colors(blue, yellow, red, white and black). Hong(紅) symbolizes light, and is used to make blue patterns. Because of this, the magenta(紅) and the blue(靑) have different meanings and different ways of operating colors. The color of Goryeo celadon not recognized as blue or celadon green(翡色), but It was recognized as green(綠). Although the colors of stones such as jade are now classified as blue, Goryeo tended to recognize them as white. It was in the daily life of the celadon that the distinction between blue and green was made. This can be said to be the colorimetric characteristics of Lee Gyu-bo through a poem sung in colors.