중국영화의 전통 수묵화 촬영기법 연구 - 장이머우 영화 <삼국-무영자(Shadow) 2018> 중심으로

Abstract

First of all, this paper aims to confirm the utilization of Chinese traditional Ink-and-Wash painting skill through the analysis of the filming skills of director Zhang Yi-mou's film Shadow(影, 2018). Specifically, it will be the work of analyzing and interpreting the Ink-and-Wash painting skill of Shadow shooting skills through composition, color, etc. These traditional Chinese Ink-and-Wash painting skills are currently used in Chinese film making. While verifying how it is utilized, director Zhang Yi-mou of filming is aimed at verifying the practice of traditional Chinese Ink-and-Wash painting skills. Zhang Yi-mou's film features a Chinese-style not only in narrative, but also in screen composition. It is clear that Zhang Yi-mou represents a generation in the Chinese film industry, so the author hopes this article will provide a point of view that can be applied in the application of Chinese-style filming skills in Chinese film. The method and procedure of this study are as following. First and foremost, analyze the Zhang Yi-Mou's film Shadow by referring to the papers and interviews of filming style. In his film, traditional Chinese Ink-and-Wash painting skills are realized in any way, and the reason why chose this film because that was the Chinese commercial film which first made by Chinese Ink-and-Wash painting skills. Next, in the main part, director Zhang Yi-Mou, who naturally applies Ink-and-wash painting skills in the screen, examines the characteristics and meaning of the combination of Ink-and-Wash Painting skills and shooting through the composition, space, movement, color, and costume of a specific scene. Finally, the author plans to derive how to use the unique skills contained in traditional culture in the film making process.