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Palimpsest Skin in John Edgar Wideman’s Sent for You Yesterday

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This paper illustrates the importance of John Edgar Wideman’s novel Sent for You Yesterday as a turning point in his career, in that it is in this novel that Wideman integrates Eurocentric traditions with his own personal experience and history as an African American. While this novel deals with his lifelong subjects, such as racial conflicts, tensions between individual and community, the ultimate affirmation of absorption to community, Wideman underscores particularly the persistence and significance of the past in the present. According to him, “to live our lives to the fullest,” we depend on the presence of past lives. To explore these issues, Wideman foregrounds an albino African American character in the novel. Through an albino African American’s white skin layered on a black body, the writer effectively interrogates culturally and historically charged meanings of skin color. Furthermore, the albino character functions as a liminal character who can serve to record and preserve the history of his community Homewood. His doubly-layered skin emblematizes the traces of the past persisting to the present and becomes a living parchment. Through this eminent character, Wideman shows that the unburied past can “open doors towards the future.”

Abstract

This paper illustrates the importance of John Edgar Wideman’s novel Sent for You Yesterday as a turning point in his career, in that it is in this novel that Wideman integrates Eurocentric traditions with his own personal experience and history as an African American. While this novel deals with his lifelong subjects, such as racial conflicts, tensions between individual and community, the ultimate affirmation of absorption to community, Wideman underscores particularly the persistence and significance of the past in the present. According to him, “to live our lives to the fullest,” we depend on the presence of past lives. To explore these issues, Wideman foregrounds an albino African American character in the novel. Through an albino African American’s white skin layered on a black body, the writer effectively interrogates culturally and historically charged meanings of skin color. Furthermore, the albino character functions as a liminal character who can serve to record and preserve the history of his community Homewood. His doubly-layered skin emblematizes the traces of the past persisting to the present and becomes a living parchment. Through this eminent character, Wideman shows that the unburied past can “open doors towards the future.”

참고문헌 (16)

  1. Bennion, John, "The Shape of Memory in John Edgar Wideman’s Sent for You Yesterday", Black American Literature Forum, 20(1), pp.143~150 (1986)
  2. Bogdan, Robert, "Freak Show: Presenting Human Oddities for Amusement and Profit" (1988), The U of Chicago P
  3. Coleman, James W., "Blackness and Modernism: The Literary Career of John Edgar Wideman" (1989), UP of Mississippi
  4. Grandjeat, Yves-Charles, "‘These Strange Dizzy Pauses’: Silence as Common Ground in J. E. Wideman’s Texts", Callaloo, 22(3), pp.685~694 (1999)
  5. Gubar, Susan, "Racechanges: White Skin, Black Face in American Culture" (1997), Oxford UP
  6. Irwin, John T., "The Symbol of the Hieroglyphics in the American Renaissance", American Quarterly, 26(2), pp.103~126 (1974)
  7. Martin, Charles D., "The White African American Body: A Cultural and Literary Exploration" (2002), Rutgers UP
  8. Mbalia, Doreatha Drummond, "John Edgar Wideman: Reclaiming the African Personality" (1995), Associated University Presses
  9. Melville, Herman, "Moby-Dick or, The Whale. Intro. Andrew Delbanco" (1992), Penguin Books
  10. Rodriguez, Denise, "Homewood’s ‘Music of Invisibility’: John Edgar Wideman’s Sent for you Yesterday and the Black Urban Tradition, In Critical Essays on John Edgar Wideman", pp.127~144 (2006), The U of Tennesse P
  11. Stanonik, Janez, "Did Melville Ever See an Albino?", American Literature, 43(4), pp.637~638 (1972)
  12. TuSmith, Bonnie, "Conversations with John Edgar Wideman" (1998), UP of Mississippi
  13. TuSmith, Bonnie, "The ‘Inscrutable Albino’ in Contemporary Ethnic Literature", Amerasia Journal, 19(3), pp.85~102 (1993)
  14. TuSmith, Bonnie, "Optical Tricksterism: Dissolving and Shapeshifting in the Works of John Edgar Wideman, In Critical Essays on John Edgar Wideman", pp.243~258 (2006), The U of Tennessee P
  15. Wideman, John Edgar, "Sent for You Yesterday" (1983), Avon Books
  16. Wideman, John Edgar, "In Praise of Silence", Callaloo, 24(2), pp.641~643 (2001)

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