현대 외국인 작가의 삽화에 나타난 한복 이미지- 2000년대 이후 출판된 아동도서를 중심으로 -
Images of Hanbok by contemporary foreign illustrators for children- Focusing on children’s books published since the 2000s -
0
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
The aim of this study is to investigate morphological characteristics of Hanbok images in children’s books and propose a direction for the modernization and globalization of traditional culture. This study examines 43 children’s books by contemporary foreign illustrators that contain Hanbok illustrations and analyzes them from postcolonial perspective. The results include the following three attributes: first, the transformation of clothing structure and donning method that confuse fundamentals of Korean costume; second, the Westernization of silhouette drawing with tailored garments analogous to Western dress; and third, extension to East Asian dress that represents Hanbok mixed with Chinese or Japanese costume and use what is considered to be the East Asian patterns instead of Korean traditional ones. These attributes are based on Eurocentrism, which expresses and interprets the East from the Western view point with continuously distorted image of the East. Korean illustrators also painted Hanbok incorrectly, which could influence foreign illustrators. Nevertheless, traditional dress illustrated in various ways has artistic value and has a popular global impression. Further, it enables children to experience either own or other cultures through dress illustrations. Thus, the outsider requires an in-depth understanding of other cultures, while the insider needs a critical perception of their own culture as described by others while revisiting the original resources. Furthermore, we suggest follow-up research on Hanbok for subsequent generations; publishing translated books on various topics, producing and disseminating a primer for diverse readers, and essentially receiving counsel from experts.
Abstract
The aim of this study is to investigate morphological characteristics of Hanbok images in children’s books and propose a direction for the modernization and globalization of traditional culture. This study examines 43 children’s books by contemporary foreign illustrators that contain Hanbok illustrations and analyzes them from postcolonial perspective. The results include the following three attributes: first, the transformation of clothing structure and donning method that confuse fundamentals of Korean costume; second, the Westernization of silhouette drawing with tailored garments analogous to Western dress; and third, extension to East Asian dress that represents Hanbok mixed with Chinese or Japanese costume and use what is considered to be the East Asian patterns instead of Korean traditional ones. These attributes are based on Eurocentrism, which expresses and interprets the East from the Western view point with continuously distorted image of the East. Korean illustrators also painted Hanbok incorrectly, which could influence foreign illustrators. Nevertheless, traditional dress illustrated in various ways has artistic value and has a popular global impression. Further, it enables children to experience either own or other cultures through dress illustrations. Thus, the outsider requires an in-depth understanding of other cultures, while the insider needs a critical perception of their own culture as described by others while revisiting the original resources. Furthermore, we suggest follow-up research on Hanbok for subsequent generations; publishing translated books on various topics, producing and disseminating a primer for diverse readers, and essentially receiving counsel from experts.
참고문헌 (65)
- Baek, S. H., (1999), Saenal
- Berton-Martin, A., (2014), Kidzm
- Chae, J. O., (2015), Gongdongche
- (2020)[URL]
- Cherry, G., "City atlas : Travel the world with 30 city maps" (2015), Aurum Press.
- Cho, T., "Korean celebrations : Festivals, holidays and traditions" (2019), Tuttle
- Choi, E., (2016), Samsung Books
- Don, L., "Never trust a tiger : A story from Korea" (2012), Barefoot Books
- Entwistle, J., "The fashioned body" (2013), Hansung University Press
- Gandhi, L., "Postcolonial theory: A critical introduction" (2000), Hyunsil Book
- Geum, K. S., (1994), Youlhwadang
- 허정애, "조선시대 스란치마 연구", 한복문화, 17(3), pp.73~91 (2014), 한복문화학회
- Hong, K. K., (2004), Kyerim
- Huang, N. F., "Seven thousand years of Chinese costumes Ⅲ" (2011), Tsinghua University Press
- Huang, N. F., "Seven thousand years of Chinese costumes Ⅳ" (2011), Tsinghua University Press
- Jaffe, L., "Almost everything" (2005), Roaring Brook Press
- (2019)[URL]
- M. Angela Jansen, "Fashion and the Phantasmagoria of Modernity: An Introduction to Decolonial Fashion Discourse", Fashion Theory, 24(6), pp.815~836 (2020), Informa UK Limited[DOI]
- Jeong, B. S., (1995), Changjisa
- 정혜란, "2010년 이후 한복의 새 패러다임 사례", 한복문화, 21(4), pp.97~108 (2018), 한복문화학회[DOI]
- Jo, D. H., (2018), Geoin
- Jo, K. J., (2013), Hakjisa
- Keith, E., "Old Korea" (2008), Prpub.
- Kim, H., (2016), Samsung Books
- Kim, H., "A study on panopticism of Korean traditional costume in Elizabeth Keith’s works", master, pp.2020
- Kim, I., (2016), Samsung Books
- Kim, J., (2016), Samsung Books
- Kim, K., "The portrayal of children in Korean folk stories written in English for children", Early Childhood Education Research & Review, 3(2), pp.175~195 (1999)
- Kim, K. H., "A study of cultural authenticity through the main characters in picture books of Korean folk stories", Journal of Children’s Literature and Education, 3(2), pp.21~34 (2002)
- Kim, M., (2009), Seoul National University Press
- Kim, S., (2016), Samsung Books
- Kim, S. I., (2016), Jungminsa
- Kim, S. T., (2010), Kyungbuk University Press
- 이은숙, "한국 근대소설에 표현된 여자복식 - 1910년~1945년을 중심으로 -", 한국의상디자인학회지, 5(2), pp.47~55 (2003), 한국의상디자인학회
- 김수진, "여성의복의 변천을 통해 본 전통과 근대의 젠더정치 －해방 이후～1960년대 초반을 중심으로－", 페미니즘연구, 7(2), pp.281~320 (2007), 한국여성연구소
- Kim, Y. H., "A study on the modernity of dress", Journal of the Korean Society of Costume, 30, pp.127~138 (1996)
- Kobayashi, Y., (2014), Dhampus
- 권오원, "유아전통문화교육을 위한 그림책 분석 및그림책 활용에 대한 교사의 인식", 어린이문학교육연구, 12(1), pp.165~179 (2011), 한국어린이문학교육학회
- Lee, D. K., (2016), Gongdongche
- Lee, J., "Representation of Joseon as visual image in France", master, pp.2016
- Lee, J. O., (1999), Hyungseul
- Lee, K. -W., "The genealogy and positionality of postcolonialism", The Journal of Criticism and Theory, 5(2), pp.5~42 (2000)
- Lee, M. A., (2019), Jikyungsa
- 이명선, "현대 패션산업에 나타난 문화적 전유와 재현", 복식, 70(4), pp.54~64 (2020), 한국복식학회[DOI]
- 이민주, "개항기 외국인의 기록과 삽화를 통해 본 우리의 복식문화", 역사민속학, (27), pp.205~234 (2008), 한국역사민속학회
- Lee, S. K., (2011), Kyomunsa
- National Palace of Museum., "The illustrated dictionary of the Joseon royal culture : Court music and dances" (2014), National Palace of Museum
- (2015)[URL]
- Park, S. J., "Modern feminity of Korea investi-gated through the dress in the visual media of Japanese colonial era", doctor, pp.2014
- Park, S. S., (2016), Minsokwon
- 박선지, "무정형 패션에 대한 동·서양의 시각 비교", 한국의류산업학회지, 16(6), pp.871~878 (2014), 한국의류산업학회
- Park, Y. -H., "Effects of traditional culture education activities using picture books on young children’s formation of national identity", master, pp.2007
- Said, E. W., "Orientalism" (1999), Kyobo Book Center
- Seon, J. W., (2013), Parkleejung
- Shin, H. J., (2007), Parkleejung
- Smith, A., "Korea : Panorama pops" (2017), Walker Books
- Song, G. R., (2015), Korea Hemingway
- Tezuka, A., "World picture dictionary" (2017), Sakyejul
- (2020)[URL]
- Welters, L., "Fashion history" (2018), Bloomsbury
- Wilkinson, P., "A child thorough time" (2020), Cum Libro
- Woo, S. A., "Exhibition strategy in postcolonial era : Focusing on identity discourses in Asian contemporary art", master, pp.2002
- 이재윤, "복식에 있어서의 근대성의 의미", 복식, 61(1), pp.124~131 (2011), 한국복식학회
- 임은혁, "한국복식과 서구복식에 나타난 몸과 복식에 관한 전통적인 시각 비교", 복식문화연구, 19(3), pp.501~517 (2011), 복식문화학회[DOI]
- "A centuries-old Korean style gets an update" (2020)[URL]