<滿殿春別詞>의 스토리텔링화

Abstract

This article has processed storytelling of a classic poetry <Manjeonchun byeolsa> (Song of Spring Overflowing the Pavilion) as an original source of cultural contents to expand the traditional cultural heritage that will be served as the original form of the original source and offer people an opportunity to be informed of classic poetry with no difficulty by popularizing it. Because our ancestors wrote poetry in short verses using metaphors and symbols, made the necessary information for decoding into narrative stories and left them coexisting with the poetry, storytelling is possible, for it shows a unique structure that poetry and force tales have coexisted from Sanggo siga (Ancient Poetry and Songs) to Hyangga (Native Songs). After choosing a Goryeo sogyo (popular songs of Goryeo) <Manjeonchun byeolsa>, I have observed the synopsis, constituent form, and creation of the characters, and gave the storytelling a try. "Love", the theme of <Manjeonchun byeolsa>, is an original story that comes under a never-ending story, and as the first storytelling changes into the second and third, it makes the OSMU(One-Source-Multi-Use), which can be corrected or processed so it suits the area, possible. So I have made out three synopses of these works. I have also tapped the possibility of various expansive reproduction of the story, depending on the developer's intended purpose, scale, and expressing genre in the first synopsis. As a result, as long as the original plot isn't impaired, second and third storytelling is possible with imagination and originality. The value of commodities of the characters are made out as well. (Avatar shown)