고전시가와 스토리텔링

Abstract

This study worked on changing the classical poetry into storytelling with the aim for extending the range of traditional cultural heritage as the prototype of sources of the culture contents by extending each content of culture contents, and with the intention of providing people with an opportunity to come in contact with classical poetry. Our ancestors used metaphor and symbols to write short poetry, and give transcription for information needed to decode. As a result, from the ancient poetry to the old Korean folk songs there exist poetry text and attendant narratives and it makes storytelling possible. Choosing <Kongmudohaga> about 'death,' 'love,' and 'separation,' <Jemangmega>, an old Korean folk song, <Seokyoungbeulgok>, which an attendant narrative was not attached, it was tried to practice storytelling as considering the plots of theses poems, synopsis, formation, and characters. These topics are after all prototype stories which are never-ending stories and make it possible to be changed and processed to fit with their domain by turning into the second and third storytelling from the first storytelling. Therefore, one or two synopsis of these works was written. It was also considered if the first synopsis could possibly reproduced on a progressive scale in accordance with purposes that a developer intended and a genre that expressed them. As a result, it was possible to prove that with imagination and creativity, the second and third storytelling is possible to the extent which does not damage a basic plot. The value of commodities of character also briefly presented.