滿殿春別詞의 名義와 性格에 대한 연구

Abstract

Although ‘Manjeonchunbeolsa’ has a very specific form and content as a classical poetry, there has not been much discussion of ‘Manjeonchunbeolsa’ regarding its characteristics of content or form. There are several reasons. Firstly, failure to truly understand of the meaning of the name of ‘Manjeonchunbeolsa’, secondly, failure to properly figure out the formal unity of ‘Manjoenchunbeolsa’, and thirdly, there is the failure to find out the coherence of the content. The poor interpretation of the meaning of the name of ‘Manjoenchunbeolsa’ led to the failure to find out connection between ‘Manjoenchunbeolsa’ and its content and this condition resulted in difficulty to find out the coherence of the content. Therefore, eventually there was a difficulty to understand the whole interpretation or understanding of ‘Manjeonchunbeolsa’. In addition, it was not easy to find out its structural unity because the form of ‘Manjoenchunbeolsa’ shows noticeable difference with the form of general literature which has an identical conformation and regular and repetitive pattern. Thus, ‘Manjoenchunbeolsa’ has been continuously treated as difficult literacy work to make a comprehensive interpretation through its unique characteristics. To address this issue, it is key point to find out the main cause that make it difficult to study and understand about ‘Manjoenchunbeolsa’. It is as a starting point for finding out the consistency and unity of form and content through attempting to right interpretation about the name of literature. As name of the literature includes the nature of the subject implicatively and comprehensively it is considered that an intrinsic attribute of the subject could be figured out through the name of the ‘Manjoenchunbeolsa’. Based on these ideas, this paper will attempt to interpret the name of the ‘Manjoenchunbeolsa’ by considering its content and form in order to properly understand about the characteristics of literacy writing. ‘Manjoenchunbeolsa’ can be construed as ‘the song for the end of love’. It is based on ‘SA’ literature in the ‘song’ dynasty and is made in the form of poetic literature regardless of musicality. Firstly, the two chapters are composed of distich format and secondly, there is a format that a row of identical conformation is repeated. Thirdly, there is a format that the last phrase is repeated. Fourthly, it can be found that some characteristics of the poetry are based on an expression of narrator's feeling about the sign, the moment and after the ending of love. This study about ‘Manjoenchunbeolsa’ can reveal its own literary characteristics via systemic and specific ways. Thus, this study about ‘Manjoenchunbeolsa’ is expected to become a good stepping stone to discover the artistic beauty of Sok-yo.