계승과 단절의 사이에서: 그로스만의 『삶과 운명』을 읽는 두 가지 방법
Between Inheritance and Severance: Two Methods of Reading Grossman’s "Life and Fate"
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This research mainly focuses on one of the critical themes of Soviet literature in the 20th century through analysing Vasily Grossman’s "Life and Fate", since it has been in its succession to the tradition of Russian literature of the 19th century. Long breath taking narrative structures, which is a peculiar aspect in Russian novels, are inherited in some degrees in the works of the 20th century writers such as Maksim Gorky, Mikhail Sholokhov, and Boris Pasternak. However, it does not seem to be reasonable to count only these writers as the ones who succeeded to the tradition of 19th century or the 'great' critical realism, because evaluations of these writers were disagreed with the change of the times and the ideology. Socialist realism, dominating monistic ideology in the whole field of art after the mid 1930s, means a kind of ‘severance’ in the tradition of Russian literature. Although Grossman’s works were written after the ‘severance,’ his works embody the tradition of 19th century Russian literature. From this point of view, this study analyzes narrative structures of "Life and Fate". Even though Grossman was a war reporter and attained his reputation during the Stalin era with his writings about the battles of Stalingrad and Stalin, his works are even more fascinating as they are regarded as a model of the tradition of Russian literature of the 19th century.
Abstract
This research mainly focuses on one of the critical themes of Soviet literature in the 20th century through analysing Vasily Grossman’s "Life and Fate", since it has been in its succession to the tradition of Russian literature of the 19th century. Long breath taking narrative structures, which is a peculiar aspect in Russian novels, are inherited in some degrees in the works of the 20th century writers such as Maksim Gorky, Mikhail Sholokhov, and Boris Pasternak. However, it does not seem to be reasonable to count only these writers as the ones who succeeded to the tradition of 19th century or the 'great' critical realism, because evaluations of these writers were disagreed with the change of the times and the ideology. Socialist realism, dominating monistic ideology in the whole field of art after the mid 1930s, means a kind of ‘severance’ in the tradition of Russian literature. Although Grossman’s works were written after the ‘severance,’ his works embody the tradition of 19th century Russian literature. From this point of view, this study analyzes narrative structures of "Life and Fate". Even though Grossman was a war reporter and attained his reputation during the Stalin era with his writings about the battles of Stalingrad and Stalin, his works are even more fascinating as they are regarded as a model of the tradition of Russian literature of the 19th century.
참고문헌 (22)
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