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류칭방(劉慶邦) 소설론

A study on Liuqingbang’s novel

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초록

The emperor of short nove is nickname of Liuqingbang(劉慶邦). He was often called an exemplary Chinese writer with forty years of creative activity. The magnitude of his writing, more than 270 short novels and 9 full-length novels, is hard for anyone to aspire to. His vocational experiences as a farmer, a miner, and a reporter constitute a background of his writing. His novels stand out owing to neat logic and diverse changes and foundations saturated with opulent and incessant imaginations which propel the novel’s narrative. The studies of Liuqingbang’s novels have so far concentrated on the characters and contents of his novels such as rural and mining life, the language of novels, regional traits, female characterization, lower-class characters, and esthetic traits derived from his novel style. In order to exemplify his solid narrative control, this article tried to examines his representative short, medium-length and full-length novels in terms of their realistic narrative characteristics in detailing unique local sentiments and atmosphere. The most renowned characteristic of his narrative is high readability derived from the compact logical organization that penetrates his novels. As a result, people tend to read straight through his novels once they open the first page. What are the elements that make us indulge in his novels? This article considers what those elements of novelistic interest are and what propels the narrative of his novels by taking on his all writings. The language of this novels is clear and plain, with no unnecessary sophistication. He is well versed in the lives of farmers and miners, which shows in his detailed portrayal of the lives of farmers and of the urgent lives of miners, full of desires and struggles, in the dark mines. His has completed his unique world of novels by solidifying unrelenting and abundant logical structure to his narrative. In short, he has opened up a new brand of folk literature, a literature of coal mine situated between the urban and the rural, based on the concern for the people of the lower-class and for the existential conditions of rural exodus workers.

Abstract

The emperor of short nove is nickname of Liuqingbang(劉慶邦). He was often called an exemplary Chinese writer with forty years of creative activity. The magnitude of his writing, more than 270 short novels and 9 full-length novels, is hard for anyone to aspire to. His vocational experiences as a farmer, a miner, and a reporter constitute a background of his writing. His novels stand out owing to neat logic and diverse changes and foundations saturated with opulent and incessant imaginations which propel the novel’s narrative. The studies of Liuqingbang’s novels have so far concentrated on the characters and contents of his novels such as rural and mining life, the language of novels, regional traits, female characterization, lower-class characters, and esthetic traits derived from his novel style. In order to exemplify his solid narrative control, this article tried to examines his representative short, medium-length and full-length novels in terms of their realistic narrative characteristics in detailing unique local sentiments and atmosphere. The most renowned characteristic of his narrative is high readability derived from the compact logical organization that penetrates his novels. As a result, people tend to read straight through his novels once they open the first page. What are the elements that make us indulge in his novels? This article considers what those elements of novelistic interest are and what propels the narrative of his novels by taking on his all writings. The language of this novels is clear and plain, with no unnecessary sophistication. He is well versed in the lives of farmers and miners, which shows in his detailed portrayal of the lives of farmers and of the urgent lives of miners, full of desires and struggles, in the dark mines. His has completed his unique world of novels by solidifying unrelenting and abundant logical structure to his narrative. In short, he has opened up a new brand of folk literature, a literature of coal mine situated between the urban and the rural, based on the concern for the people of the lower-class and for the existential conditions of rural exodus workers.

참고문헌 (30)

  1. 劉慶邦, "平原上的歌謠" (2004), 上海文藝出版社
  2. 劉慶邦, "劉慶邦短篇小說選" (2012), 作家出版社
  3. 劉慶邦, "東風嫁" (2014), 河南文藝出版社
  4. 劉慶邦, "在雨地裏穿行" (2010), 百花文藝出版社
  5. 劉慶邦, "大姐的婚事" (2014), 河南文藝出版社
  6. 劉慶邦, "家園何處" (2003), 上海文藝出版社
  7. 劉慶邦, "麥子" (2012), 上海文藝出版社
  8. 劉慶邦, "红煤" (2006), 十月文藝出版社
  9. 劉慶邦, "在现实故事的尽头开始书写——对话刘庆邦", 百家评论 (2013)
  10. 刘庆邦, "我的創作是诚实的风格——刘庆邦访谈录", 小說評論, (3) (2009)
  11. 劉成勇, "向人性的深處開掘---劉慶邦小說的人性主題", 周口師範學院學報, (7) (2007)
  12. 李新, "以《神木》为例谈刘庆邦小说的艺术特徵", 文艺理论与批评, (1) (2009)
  13. 舒晉瑜, "刘庆邦: 作家应该拿作品说话", 語文世界(中學生之窓) (2015)
  14. 孫傭軍, "“走窑汉”們的生命史詩—劉慶邦煤礦小說創作談", 文藝理論與批評, (5) (2009)
  15. 孫瑩, "人性的審視與追問---劉慶邦小說論", 鷄西大學學報, (12) (2015)
  16. 楊形濤, "劉慶邦小說的敍事藝術", 文學界, (9) (2010)
  17. 余志平, "劉慶邦小說創作的意義", 文艺理论与批评, (2) (2009)
  18. 于海英, "論劉慶邦小說的悲劇意識", 碩士, pp.2007
  19. 陳富志, "尋求愛與善的靈光--劉慶邦小說論", 平顶山学院学报, (3) (2009)
  20. 陳思和, "在柔美與殘酷之外--劉慶邦短篇小說藝術談", 上海文學, (12) (2003)
  21. 焦會生, "劉慶邦小說論", 當代文壇, (7) (2005)
  22. 馮慶華, "劉慶邦長篇小說創作發展論--從《斷層》到《紅煤》", 武陵學刊, (5) (2012)
  23. 邢濱華, "論劉慶邦小說的悲劇意識", 碩士, pp.2007
  24. "同事谈小说和小说之外的刘庆邦" (2010)[URL]
  25. 김경남, "리우칭방(劉慶邦) 소설의 서사적 특색", 중국학보, (71), pp.207~229 (2015), 한국중국학회
  26. "坚实的树 灵动的影 善意的心"[URL]
  27. "刘庆邦:黄土地走出的“小说王”" (2015)[URL]
  28. "写小说不看会后悔:刘庆邦谈小说创作" (2014)[URL]
  29. (2006), 서연호[URL]

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