『熱河日記에 나타난 공간 형상화 방식

Abstract

This paper aims to identify the literary achievements of Yeonam by examining the ways in which space is represented in Yeolha Diary and to understand Yeonam's perception of reality and the socio-political context of space. In the process of discussion, I applied humanistic geography and structuralist geography. First, I examined Yeonam's perception of space. Yeonam saw natural space as a site of creation and change. Space is in a state of change, and based on the relativity of time and space, he believed that the real space here and now is important. Yeonam was well aware of the importance of space in effectively revealing the artist's intention. Based on this, I examined the way space is represented in Yeonam's diaries. The first is the de-idolization of political space. Hwanggeumdae and Ijemyo Shrine were spaces of rituals created by the ideology of the ruling ideology. We looked at how Yeonam breaks the sanctity of these spaces. The second is the centralization of peripheral spaces. Yeonam's attitude of having affection for small things and peripheral beings was also manifested in his spatial consciousness. Through Zha men that exemplify the peripheral consciousness, I examined how Yeonam makes the peripheral spaces into places that acquire centrality. The third is the aestheticization of physical space. When criticizing political spaces, Yeonam dismantled the authority of the space through objective distance or a third party. On the other hand, in spaces where he experienced special emotions, he created personal and experiential spaces with his own sensitivity. Kobuk-gu focused on revealing a sense of place and placefulness, clearly showing his love for space and the image of place. Liulichang was a space that deeply revealed a sense of solitude. The emotions Yeonam felt in the middle of Liulichang were anonymity and loneliness in the crowd. Liulichang was transformed by Yeonam into a space with a modern sensibility. It is an ongoing challenge to further explore how Yeonam shapes space and how he places it.