근대 계몽기 시조의 율격적 변주 양상－『대한매일신보』 ,『 대한민보』 소재 시조의 종장을 대상으로－

Abstract

I studied the aspects of sijo’s metrical variation in the period of enlightenment focusing on the last line of sijo in Daehanmaeilsinbo or Daehanminbo. The sijos in Daehanmaeilsinbo or Daehanminbo tried to transform the last line because those were not supposed to sing but to read. I especially paid attention to the expansion of second segmental volume in the last line of sijo. In this thesis, I compared 565 poems in Daehanmaeilsinbo or Daehanminbo with Namhuntaepyeongga. I verified the expansion of the last line’s second segment by comparing the syllables of second segmental volume. '8 syllable’s type accounts for 41.42%(234 poems) of the total poems in Daehanmaeilsinbo or Daehanminbo. On the other hand, Namhuntaepyeongga has just 4 poems(2.78%). It is keeping the sijo’s versification and also loosening the cohesion of the last line’s second segment that the second segmental volume was expanded. It is also to read in four segmental meter. Furthermore, the second segment was split into 4 syllable 4 segmental meter type like Gasa. The last line’s metrical variation is from the weakened metrical control. The omitting of the last line’s the last segment, brings about the morphological instability and the meaning blankness. Especially the second segmental cohesion became loosen because the lyrics condensed theme or the poetic closure with a decisive tone. As a result, two segment divided into the independent segment respectively. Therefore the last line of sijo’s aesthetic closure became weaker. However the function of appealing or arousing about the present question or enlightenment became stronger.