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실존의 관점에서 본 리차드 라이트의 『블랙 보이』

An Existential View of Richard Wright’s Black Boy

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Black Boy is Richard Wright’s autobiographical novel based on his harsh experience of the oppression under the Jim Crow Laws and lynching in the South. Black people were forced to live a subservient and obedient life of Uncle Tom under such discriminations and violence of the white. As shown in the case of black people in the South, others refused to recognize Wright as an independent individual, and he had to fight for recovering his subjectivity. In this respect, Wright and the French existentialists share the same philosophy that man is human to the extent that he tries to impose his existence on others in order to be recognized by them. Wright tries to make himself recognized by others by means of writing rather than physical violence. However, if this novel is interpreted with a view too much biased toward the poor living environment of black people in the South, the value of Wright’s effort to recover subjectivity will be undermined. It is because, if this novel is read from the point of such view, it looks like the environment drives him to fight and consequently the value of his behaviors according to his free will and choice will be lost. Through this novel, Wright places the value of an individual on top of any ideology or religious doctrine and focuses on the free choices of an individual and human dignity.

Abstract

Black Boy is Richard Wright’s autobiographical novel based on his harsh experience of the oppression under the Jim Crow Laws and lynching in the South. Black people were forced to live a subservient and obedient life of Uncle Tom under such discriminations and violence of the white. As shown in the case of black people in the South, others refused to recognize Wright as an independent individual, and he had to fight for recovering his subjectivity. In this respect, Wright and the French existentialists share the same philosophy that man is human to the extent that he tries to impose his existence on others in order to be recognized by them. Wright tries to make himself recognized by others by means of writing rather than physical violence. However, if this novel is interpreted with a view too much biased toward the poor living environment of black people in the South, the value of Wright’s effort to recover subjectivity will be undermined. It is because, if this novel is read from the point of such view, it looks like the environment drives him to fight and consequently the value of his behaviors according to his free will and choice will be lost. Through this novel, Wright places the value of an individual on top of any ideology or religious doctrine and focuses on the free choices of an individual and human dignity.

참고문헌 (21)

  1. Camus, Albert, "The Rebel: An Essay on Man in Revolt" (1991), Random House
  2. Cobb, Nina, "Richard Wright: Exile and Existentialism", Phylon, 40(4), pp.362~374 (1979)
  3. Cone, James, "Black Theology And Black Power" (1997), Orbris
  4. Du Bois, W. E. B, "The Souls of Black Folk" (1990), Library of America
  5. Ellison, Ralph, "Invisible Man" (1989), Vintage
  6. Fanon, Frantz, "Black Skin, White Masks" (1967), Grove
  7. Fanon, Frantz, "The Wretched of the Earth" (2004), Grove
  8. Foulquie, Paul, "Existentialism" (1963), Dobson
  9. Hakutani, Yoshinobu, "Creation of the Self in Richard Wright’s Black Boy", Black American Literature Forum, 19(2), pp.70~75 (1985)
  10. Mannoni, O. Prospero, "Trans. Pamela Powesland" (1990), Michigan UP
  11. McCarthy, Harold, "Richard Wright: The Expatriate as Native Son", American Literature, 44, pp.97~117 (1972)
  12. Sartre, Jean-Paul, "Black Orpheus, In What Is Literature?", pp.289~332 (1988), Harvard UP
  13. Sartre, Jean-Paul, "Existentialism Is a Humanism" (2007), Yale UP
  14. Tate, Claudia, "Richard Wright’s Tragic Sense of Life", Black AmericanLiterature Forum, 10, pp.117~119 (1976)
  15. Weiss, Adrian, "A Portrait of the Artist as a Black Boy", The Bulletin of Rocky Mountain Modern Language Association, 28, pp.93~101 (1974)
  16. Wright, Richard, "Black Boy" (1966), Harper and Row
  17. Wright, Richard, "Blueprint for Negro Writing, In Ellen Wright and Michael Fabre", pp.36~50 (1978), Harper
  18. Wright, Richard, "How Bigger Was Born, In Twentieth Century Interpretations of Native Son", pp.21~47 (1972), PrenticeHall
  19. Wright, Richard, "The Ethics of Living Jim Crow, In Uncle Tom’s Children", pp.1~15 (2004), Harper
  20. Wright, Richard, "The Long Dream" (1987), Harper
  21. Wright, Richard, "Uncle Tom’s Children" (2004), Harper

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