셰익스피어의 극과 음악
Shakespeare’s Plays and Music
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As relationships between audiences and genres of arts have been changing, so new relationships and encounters are emerging at the same time. We have enjoyed the music of Shakespeare in the theater, ballet, film, television, and other adaptations. There will be a continued musical regeneration of Shakespeare regardless of its effects. Shakespeare says that life is full of sound and fury. Sounds in everyday life make us feel pleased or not according to the individual situation. So there must be some division between sound and music. What is music like in Shakespeare?The pleasure of music is a subjective and personal event, and many dimensions of music are present in Shakespeare. But the political theory of musical harmony is found so often in Shakespeare’s plays that Shakespeare’s kings frequently appeal to Neoplatonic ideas of harmony to assert their place in natural order. It seems that Shakespeare’s plays are like the musical instrument to perform both the sounds of the universe and individuals. In Renaissance they think that the mind and body are connected with each other, and Shakespeare shows the use of music as a program for education and a cure of diseases of the mind. Renaissance music in Shakespeare is less symbolic and more realistic, and is perceived and enjoyed for its own sake, which draws directly to the senses and human feelings.
Abstract
As relationships between audiences and genres of arts have been changing, so new relationships and encounters are emerging at the same time. We have enjoyed the music of Shakespeare in the theater, ballet, film, television, and other adaptations. There will be a continued musical regeneration of Shakespeare regardless of its effects. Shakespeare says that life is full of sound and fury. Sounds in everyday life make us feel pleased or not according to the individual situation. So there must be some division between sound and music. What is music like in Shakespeare?The pleasure of music is a subjective and personal event, and many dimensions of music are present in Shakespeare. But the political theory of musical harmony is found so often in Shakespeare’s plays that Shakespeare’s kings frequently appeal to Neoplatonic ideas of harmony to assert their place in natural order. It seems that Shakespeare’s plays are like the musical instrument to perform both the sounds of the universe and individuals. In Renaissance they think that the mind and body are connected with each other, and Shakespeare shows the use of music as a program for education and a cure of diseases of the mind. Renaissance music in Shakespeare is less symbolic and more realistic, and is perceived and enjoyed for its own sake, which draws directly to the senses and human feelings.
참고문헌 (12)
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- Leonard, Kendra Preston, "Shakespeare, Madness, and Music : Scoring Insanity in Cinematic Adaptations" (2009), Scarecrow
- Lindley, David, "Shakespeare and Music" (2007), Arden
- Lovejoy, Arthur O, "The Great Chain of Being" (1978), Harvard UP
- Miller, Michael, "The Complete Idiot’s Guide to Music History" (2008), Alpha
- Ortiz, Joseph M, "Broken Harmony: Shakespeare and the Politics of Music" (2011), Cornell UP
- Rowell, Lewis, "Thinking about Music: An Introduction to the Philosophy ofMusic" (1984), U of Massachusetts P
- Sanders, Julie, "Shakespeare and Music: Afterlives and Borrowings" (2007), Polity
- Shakespeare, William, "The Complete Pelican Shakespeare" (2002), Peguin
- Spurgeon, Caroline, "Shakespeare’s Imagery and What It Tells Us" (1999), Cambridge UP
- Vico, Giambattista, "The New Science of Giambattista Vico" (1994), Cornell UP
- Wilson, Christopher, "Shakespeare and Music" (1923), Stage