Collabo and Collabo: AI-based music composition and collaborative musical performance
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This study analyzes the possibilities and limitations of AI composition based on prompt engineering through real-world use cases of AI composition engines from the perspective of a music composer. As part of the 2023 MUVA project showcase "META-BREATHING" exhibition, composer Chung Seong Yup's collaborative performance <Collabo and collabo> is a new creation that combines the work of a professional violinist and the AI composition program AIVA. In this creative process, the study aims to analyze the AI composition process and its outcomes, identifying the extent and conditions of the composer's involvement by addressing the issues inherent in the AI composition program used. While AI composition programs are creative and can offer new ideas beyond the composer's intentions, the case-study suggests a need for changes towards an AI composition platform that allows for active involvement by music production experts to produce results that meet the expectations of composers in the field.
Abstract
This study analyzes the possibilities and limitations of AI composition based on prompt engineering through real-world use cases of AI composition engines from the perspective of a music composer. As part of the 2023 MUVA project showcase "META-BREATHING" exhibition, composer Chung Seong Yup's collaborative performance <Collabo and collabo> is a new creation that combines the work of a professional violinist and the AI composition program AIVA. In this creative process, the study aims to analyze the AI composition process and its outcomes, identifying the extent and conditions of the composer's involvement by addressing the issues inherent in the AI composition program used. While AI composition programs are creative and can offer new ideas beyond the composer's intentions, the case-study suggests a need for changes towards an AI composition platform that allows for active involvement by music production experts to produce results that meet the expectations of composers in the field.
참고문헌 (18)
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