엘리엇과 젠더--여성(성)과 『황무지』
Eliot and Gender: Women/Sexuality and The Waste Land.
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Abstract
In this essay, I argue that T. S. Eliot has not been completely examined by contemporary critics. The researches by cultural studies, race, sexuality, and gender are rarely published until 1995, except for Wayne Koestenbaum's readings of The Waste Land as male hysteria. The reason that critics are reluctant to work on Eliot and his works is partly from him, because he cautiously controlled his and others' writings on him. Presumably his troubled marriage to Vivienne Haigh-Wood thwarted the close application of theories of gender and sexuality to his works. His overt implication of homoeroticism is also shown in his early poems "The Love Song of Saint Sebastian" and "The Death of Saint Narcissus" which was expurgated by Pound in the process of editing The Waste Land. Exploring Eliot's Waste Land by the lens of gender and sexuality, particularly I deal with his view of women(misogyny), the feminine, and homosexuality. I suggest that Eliot's Waste Land presents his appropriation and deployment of the feminine, although The Waste Land is gendered masculine by Pound's intervention. Strategically I delay and defer the obvious conclusion in order to get a wide spectrum of the problematic issues such as Eliot's alleged homosexuality. Surveying a recent Eliot scholarship since a new millenium, further, I pose a question how we reread and re-situate Eliot within the current academic atmosphere.
참고문헌 (22)
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