『황무지』 속의 여성들: 패자의 반란
Rebellious Women in T. S. Eliot’s The Waste Land
2
조회
0
다운로드
1
인용
0
참고문헌
키워드
초록
This paper is to study T. S. Eliot’s The Waste Land in which he dramatizes women attempting to surmount the claustrophobic, traditional code of domesticity, sacrifice, and dependence for women, and shows the emergence of New women, so-called flappers in the early 20th century. Women in Eliot’s works are situated in brutal, inequitable, and unbalanced relationships between sexes. Women suffer in ruined communication and infertile human relationships. They are the fallen in a space of male dominion: they are sexually exploited, threatened by patriarchal hierarchy, kept as prisoners in symbolic cages, and even literally or culturally get mutilated or murdered. That is why Eliot was known and criticized as a misogynist. However, Eliot takes a positive stance toward female characters in his works who keep trying to fight against patriarchal oppression on women and attempt to gain power to revenge and free themselves even through metamorphosis. As a great poet, Eliot writes his era depicting the great, astonishing change that the New women, especially so-called flappers, brought about in America in the early twentieth century.
Abstract
This paper is to study T. S. Eliot’s The Waste Land in which he dramatizes women attempting to surmount the claustrophobic, traditional code of domesticity, sacrifice, and dependence for women, and shows the emergence of New women, so-called flappers in the early 20th century. Women in Eliot’s works are situated in brutal, inequitable, and unbalanced relationships between sexes. Women suffer in ruined communication and infertile human relationships. They are the fallen in a space of male dominion: they are sexually exploited, threatened by patriarchal hierarchy, kept as prisoners in symbolic cages, and even literally or culturally get mutilated or murdered. That is why Eliot was known and criticized as a misogynist. However, Eliot takes a positive stance toward female characters in his works who keep trying to fight against patriarchal oppression on women and attempt to gain power to revenge and free themselves even through metamorphosis. As a great poet, Eliot writes his era depicting the great, astonishing change that the New women, especially so-called flappers, brought about in America in the early twentieth century.
참고문헌 (17)
- Bliven, Bruce, "Flapper Jane", pp.65~67 (1925), New Republic
- Claes, Paul, "A Commentary on T. S. Eliot’s Poem The Waste Land: The Infertility Theme and the Poet’s Unhappy Marriage" (2012), Edwin Mellen P
- Cuda, Anthony, "A Companion to T. S. Eliot", pp.3~14 (2009), Wiley-Blackwell
- Dickinson, Emily, "The Complete Poems of Emily Dickinson" (1970), Faber & Faber
- Eliot, T. S., "The Art of Poetry, I: T. S. Eliot", Paris Review, 21, pp.69~70 (1959)
- Eliot, T. S., "The Complete Poems and Plays of T. S. Eliot" (1969), Faber &Faber
- Eliot, T. S., "Inventions of the March Hare: Poems 1909-1917" (1996), Harcourt
- Eliot, T. S., "T. S. Eliot: Selected Essays 1917-1932" (1932), Harcourt
- Eliot, Valerie, "The Waste Land; a Facsimile and Transcript of the Original Drafts, including the Annotations of Ezra Pound" (1974), Harcourt
- Gilbert, Sandra, "No Man’s Land: The Place of the Woman Writer in the Twentieth Century. Vol. 1" (1988), Yale UP
- 이한묵, "엘리엇과 살렘 마녀 재판", 인문과학연구논총, 29, pp.7~20 (2008)
- Moody, A. David, "The Cambridge Companion to T. S. Eliot" (1994), Cambridge UP
- 박현숙, "미국 신여성(플래퍼)의재현 양상과 소비자본주의", 한국여성학, 23(1), pp.103~130 (2007), 한국여성학회
- Pinkney, Tony, "Women in the Poetry of T. S. Eliot: A Psychoanalytic Approach" (1984), MacMillan
- Pondrom, Cyrena, "A Companion to T. S. Eliot", pp.323~334 (2009), Wiley-Blackwell
- Scofield, Martin, "T. S. Eliot: the Poems" (1988), Cambridge UP
- 윤석임, "T. S. 엘리엇 시의 노인과 죽음", 국제언어문학, (41), pp.475~494 (2018), 국제언어문학회