엘리엇의 시에 나타난 실내 공간, 젠더, 그리고 근대성의 문제들
Questions of Interior, Gender, and Modernity in Eliot's Early Poems
0
조회
0
다운로드
1
인용
0
참고문헌
키워드
초록
Abstract
Hong-Seop LeeThis article primarily aims to explore the interrelated significances of interior, late modernity, and gender in Eliot's early poems. As a microcosm of the late modernity, the interiors in Eliot's poetry are re-presented as signifying zones in which the issues of modernity, gender, space are inextricably connected and contested. Namely, in Eliot's poems, such as “Mandarins,” “Portrait of Lady,” “A Game of Chess,” the interiors are problematized not merely as the site of the repression and alienation the late modernity yields but, more importantly, as the gendered site where men and women have significantly different views of others. Whereas men, both the agents and victims of the repressive relationships, objectify women as others and thereby paradoxically undergo self-alienation, women, though ultimately unfruitfully, seek to bridge gaps between self and other, man and woman, and to transform the repressive interiors into the space of intimacy, communion, and love.
참고문헌 (13)
- 김구슬, "엘리엇의 초기시와 지적 미로 : 3 월 토끼의 노래를 중심으로", T. S. 엘리엇 연구, 6, pp.7~40 (1998)
- 김구슬, "엘리엇 시의 다성적 목소리:「여인의 초상」을 중심으로", T. S. 엘리엇연구, 15(1), pp.33~57 (2005), 한국T.S.엘리엇학회
- 노저용, "Review: T. S. Eliot's The Inventions of the March Hare; Poems 1909-1917 Edited by Christopher Ricks", T. S. 엘리엇 연구, 5, pp.203~220 (1997)
- 유명숙, "엘리엇의 초기시에 나타난 여성 재현의 문제(포스트모던 T. S. 엘리엇)" (1996), 서울: 서울대학교출판부
- 이홍섭, "엘리엇 시에 나타난 파편적 신체와 근대성의 눈들", T. S. 엘리엇 연구, 14(1), pp.103~120 (2004)
- Brooker, Jewel Spears, "Mimetic Desire and the Return to Origins in The Waste Land(Gender, Desire, and Sexuality in T. S. Eliot)", pp.130~149 (2004), Cambridge: Cambridge UP
- Dean, Tim, "T. S. Eliot, Famous Clairvoyante(Desire, and Sexuality in T. S. Eliot)", pp.43~65 (2004), Cambridge: Cambridge UP
- Eliot, T. S., "The Complete Poems and Plays of T. S. Eliot" (1969), London and Boston: Faber and Faber
- Ricks, Christopher, "The Inventions of the March Hare: Poems 1909-1917" (1996), San Diego: A Harvest Book
- "Ulysses, Order, and Myth", Dial, 75, pp.480~483 (1923)
- Philomela: Subjection and Mastery in the Founding Stories of Poetic Production(The Long Schoolroom: Lessons in the Bitter Logic of the Poetic Principle), "Orpheus", pp.1997, Grossman, Allen
- Lamos, Colleen, "Deviant Modernism: Sexual and Textual Errancy in T. S. Eliot, James Joyce, and Marcel Proust", pp.23~42 (1998), Cambridge: Cambridge UP
- Smith, Stan, "The Origins of Modernism: Eliot, Pound, Yeats, and the Rhetorics of Renewal" (1994), London: Harvest Wheatsheaf