상고 이래 서도각석(書圖刻石) 설치행위의 연원과 광무9년명(光武九年銘) 서도각석의 의미

Abstract

I mentioned the possibility that the artificial installations bearing the words or pictures were already associated with the cultural activities of the stone from the prehistoric age. They say that such discussions are possible through the case of the Anter 1st(안터 1호) Stone Pond in North Chungcheong Province on the Korean Peninsula, as well as the sculpture reminiscent of the owl's face, which was investigated in the Oh Han-gi area in Yoha(遼河). And as the concrete time zone of 1905 suggests, I feel room to consider the premise that the stonework made in the ninth year of Gwangmu can first be associated with an urgent period situation. If the three rings carved on the masonry were recognized as life-or-death, it is believed that they would have been recognized as symbols of hope for the revival of all life in the village and the country in harmony with the energy of heaven and earth. In the meantime, it will be noted that the literal meaning seen in the respective corners is likely to reflect the Sun's concept of importance in the numbers 1 and 10, already identified in the "HuaInanzI(『淮南子』)". It refers to the meaning of 1 and 10 in "Hongjae-saeng Yong-eon(『鴻齋先生冗言』)," a personal document on Yi Je-du(李齋杜) who lived in the latter part of the Joseon Dynasty, and the clear opinion that "because it is the dragon sky and the sun, it is the number of 9 and 81, 81 that giraffes respond to." Inference, the stonework made in Gwangmu 9 is understood to be a type of stone that reflects the desire for healthy life after prehistoric times and the desire for abundance. In addition, it is understood that the inscription on the stonework contained a sense of honor and dignity, which praises healthy masculinity such as the sun.