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Love Enshrined: Pagan Tradition and Despair in Romeo and Juliet

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초록

Romeo and Juliet is rich with religious language while containing some references to pagan beliefs as well. Hence, the play has been approached either in terms of fate and fortunes or in terms of Christian theology, but attempts to encompass both pagan and Christian values have been rare. This study examines how these two disparate values are reconciled and woven into a tragedy of love, focusing on fate and despair respectively among other pagan and Christian values. While making use of the tragic pathos that religious despair evokes, the dramatist tries to subvert the stigma attached to the religious sin of despair by making the title characters into devotees of the pagan god of love and attributing their final destruction to the workings of fate.

Abstract

Romeo and Juliet is rich with religious language while containing some references to pagan beliefs as well. Hence, the play has been approached either in terms of fate and fortunes or in terms of Christian theology, but attempts to encompass both pagan and Christian values have been rare. This study examines how these two disparate values are reconciled and woven into a tragedy of love, focusing on fate and despair respectively among other pagan and Christian values. While making use of the tragic pathos that religious despair evokes, the dramatist tries to subvert the stigma attached to the religious sin of despair by making the title characters into devotees of the pagan god of love and attributing their final destruction to the workings of fate.

참고문헌 (17)

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  3. Holmer, Joan Ozark, "Myself Condemned and Myself Excus’d’: Tragic Effects in Romeo and Juliet", Studies in Philology, 88(3), pp.345~362 (1991)
  4. Hyde, Thomas, "The Poetic Theology of Love: Cupid in Renaissance Literature" (1986), U of Delaware P
  5. Kaufman, Peter Iver, "Prayer, Despair, and Drama: Elizabethan Introspection" (1996), U of Illinois P
  6. Kottman, Paul A., "Defying the Stars: Tragic Love as the Struggle for Freedom in Romeo and Juliet", Shakespeare Quarterly, 63(1), pp.1~38 (2021)
  7. Laroque, François, "Tradition and Subversion in Romeo and Juliet", Halio, 18~36
  8. Levenson, Jill L, "The Definition of Love: Shakespeare’s Phrasing in Romeo and Juliet", Shakespeare Studies, 15, pp.21~36 (1982)
  9. Maguin, Jean-Marie, "Shakespeare, Hypnos, and Thanatos: Romeo and Juliet in the Space of Myth", Halio, 37~48
  10. Mahood, M. M, "Shakespeare’s Tragedies: A Selection of Modern Criticism", pp.17~32 (1963), Penguin Books
  11. Munro, Rebecca, "Romeo and Juliet: With Contemporary Criticism", pp.229~244 (2011), Ignatius
  12. Shakespeare, William, "The Riverside Shakespeare" (1997), Houghton Mifflin
  13. Siegel, Paul N, "Christianity and the Religion of Love in Romeo and Juliet", Shakespeare Quarterly, 12(4), pp.371~392 (1961)
  14. Stachniewski, John, "The Persecutory Imagination: English Puritanism and the Literature of Religious Despair" (1991), Clarendon
  15. Streete, Adrian, "Protestantism and Drama in Early Modern England" (2009), Cambridge UP
  16. Waters, D. Douglas, "Fate and Fortune in Romeo and Juliet", Upstart Crow, 12, pp.74~90 (1992)
  17. Wymer, Rowland, "Suicide and Despair in the Jacobean Drama", St. Martin’s, ~ (1986)

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