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The Psychology of the Reformation

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This paper briefly outlines some of the critical transformations generated by the sixteenth-century Protestant Reformation, particularly in the context of Shakespearean drama. Some of these include an unprecedented focus on the concept of “double predestination,” ongoing redefinitions of basic Christian concepts such as miracles, calling, and saints, and an aggressive promotion of marriage as the sole acceptable Christian lifestyle. In Shakespearean comedy, this latter element is highlighted and the traditional movement into passionate, romantic love (via Cupid’s arrows) also becomes a movement, specifically a conversion, into Protestant Christianity. In Shakespearean tragedy, the Protestant sense of double predestination urges protagonists to find signs of their ‘election’ not through validation by a Church but by exploring their consciences obsessively and by finding signs of their effectual callings in the world. A failure to attain “assurance” on this crucial issue of preordained redemption or damnation creates the conditions of tragedy.

Abstract

This paper briefly outlines some of the critical transformations generated by the sixteenth-century Protestant Reformation, particularly in the context of Shakespearean drama. Some of these include an unprecedented focus on the concept of “double predestination,” ongoing redefinitions of basic Christian concepts such as miracles, calling, and saints, and an aggressive promotion of marriage as the sole acceptable Christian lifestyle. In Shakespearean comedy, this latter element is highlighted and the traditional movement into passionate, romantic love (via Cupid’s arrows) also becomes a movement, specifically a conversion, into Protestant Christianity. In Shakespearean tragedy, the Protestant sense of double predestination urges protagonists to find signs of their ‘election’ not through validation by a Church but by exploring their consciences obsessively and by finding signs of their effectual callings in the world. A failure to attain “assurance” on this crucial issue of preordained redemption or damnation creates the conditions of tragedy.

참고문헌 (12)

  1. Donne, John, "The Complete English Poems", pp.306~316 (1996), Penguin Books
  2. Duffy, Eamon, "The Stripping of the Altars: Traditional Religion in England 1400-1580" (2005), Yale University Press
  3. Erasmus, "Luther and Erasmus: Free Will and Salvation", pp.35~97 (1969), Westminster Press
  4. Luther, Martin, "Luther on Women: A Sourcebook" (2003), Cambridge University Press
  5. Shakespeare, William, "Hamlet" (1997), Thomas Nelson and Sons
  6. Shakespeare, William, "Macbeth" (1984), Thomas Nelson and Sons
  7. Shakespeare, William, "The Merchant of Venice" (1992), Routledge
  8. Shakespeare, William, "Much Ado About Nothing" (1981), Methuen
  9. Sinfield, Alan., "Faultlines: Cultural Materialism and the Politics of Dissident Reading" (1992), University of California Press and Clarendon Press
  10. Wallace, Dewey D., Jr., "The Doctrine of Predestination in the Early English Reformation", Church History, 43(2), pp.201~215 (1974)
  11. White, Peter, "Predestination, Policy and Polemic : Conflict and Consensus in the English Church From the Reformation to the Civil War" (2002), Cambridge University Press
  12. Wooding, Lucy E. C, "Rethinking Catholicism in Reformation England" (2000), Oxford University Press, Clarendon Press

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