『한양』 게재 시편의 변화 과정 연구 - 庚連과 鄭英勳의 시를 중심으로

Abstract

『Hanyang』 was a comprehensive magazine concentrating and leading political, social, cultural discussion by Koreans in Japan for over 20 years. However, it has been difficult to identify its actuality so far due to a great deal of text materials, prohibition of carrying into Korea after mid-70’, and omission of the author’s biographical information. This papers aims to study 『Hanyang』’s editorial direction, which hasn't been organized yet, and other related literatures through examining Kyoung ryun and Jeong Young-hun’s literary world who contributed poems the most to 『Hanyang』. In 1960’s, 『Hanyang』 did not present its political, social and cultural directivity clearly, which is related in that Kyoung Ryun and Jeong Young-hun’s initial work had sentimental view of the world based on diasporan perception. But 『Hanyang』 had consolidated its identity by consistently producing discussion that recovery of tradition can identify nationality, which can be a base for achieving Korea’s development. Kyoung Ryun and Jeong Young-hun’s work also presented poetic imagination aiming to recover ethnic identity through interpellation of traditional image. In addition, 『Hanyang』 produced and possessed 4․19 Revolution’s significance as ‘revolutionary romanticism’ and make it as a central pillar for social development. The aspect of revolutionary romanticism can be found in poems of Kyoung Ryun and Jeong Young-hun about 4․19 Revolution in 1960’s. After mid-70’s, however, 『Hanyang』 turned their directivity from pro-government into against-government encouraging resistance against military dictatorship by criticizing Korea and U.S. government as well as advocating those who resist against dictatorship. Kyoung Ryun and Jeong Young-hun also showed their transformation in literary world by presenting slogan-like and stiffen poems filled with criticism and hostility against Korean government.