1960년대 漢陽 소재 재일 한인 시문학 연구

Abstract

This thesis iintend to study the Korean-Japanese's Poetry of Hanyang(『한양』) in the 1960s. Han-yang pronounced the critic spirit that requires the Korean literature to have clear awareness of the Korean history and reality by focusing on the relationship between literature and reality, grounded on the spirit of that time affected by the April Revolution. So, it advocated the engagement party consistently in the debate of purism and engagement and criticized the falsehood of purism and the deformity of the conservative literary theory acrimoniously. Especially, It criticized the deceptive attitude of purism which was isolated from reality by showing the tendency of superior-mysticism and also criticized the writers in the 1960s, who fell to aloofness and averted their eyes from the historical reality, as they didn't have a little sincerity and showed the absence of writer's awareness. After all, the critical attitude against purism, which grasped it as an attitude of deception or as an attitude of corruption and silence, was made possible by the expectation to pursue the real meaning of the standing engagement to bring change and renovation to the Korean literature. It arranged the present condition of the Korean-Japanese's Poetry of Hanyang in the 1960s from 2 chapters. It tried to observe the subject ceremony of the Korean-Japanese's Poetry of Hanyang(『한 양』) in the 1960s from 3 chapters. First, the origin yearning toward the sorrow and the fatherland of hometown loss was expressed. It professed the criticism participation with the history actuality of the second. It distinguished the nation true identity characteristic as the third, residing in the Korean-Japanese. Fourth, nature it led, the self-reflection which sand an inner will it put in and it put out.